Pilar Mata Dupont traverses generations and geographies
The Argentinian-Australian artist’s solo exhibition at Moore Contemporary is grounded in extensive ancestral research.
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The Argentinian-Australian artist’s solo exhibition at Moore Contemporary is grounded in extensive ancestral research.
In this interview, William Robinson, 85-year-old painter of twisted otherworldly landscapes, reveals how he learned to translate both loss and time in his work.
The art of Patrick Hall is like a repository of memory that weaves together poetic narratives of world history and personal experience, in particular the history of World War II. His work is now showing at Despard Gallery.
With exhibitions postponed, ceramicist Ruth Ju-Shih Li’s great love of food has filled the space left by clay. Here she tells us the secrets and history of her Mapo Tofu recipe.
Whether snapping her iconic rock’n’roll portraits or intimate family moments, Linda McCartney was a trailblazer.
Break the 24-hour bad news cycle by watching, visiting and playing with art online.
Birds can tell stories of colonial movements, national identity and language.
In her Smartphone Snaps photo essay, Blue Mountains-based artist Vicky Browne makes the most of her home studio and furry menagerie, while missing exhibiting.
The confident, broad brushstrokes of Belem Lett’s new paintings seem to literally zoom around the picture plane, conveying a sense of speed and momentum as they slide across the works’ sleek aluminium surfaces.
A pioneer in feminist and community driven art, Vivienne Binns talks about 60 years of interrogating what art truly is, and how art is a human activity.
Combining ancient technologies with digital platforms, craft festivals stitch and solder new connections across oceans and online.
Whether placing an artwork in his stomach, actualising a body with a third hand, giving his agency over to performance viewers, and rather famously growing an extra ear on his arm, Stelarc has gone to true extremes.
The growing cultural interest in art books reflects the enduring power of the printed word. Jane O’Sullivan takes a closer look.
Radical Textiles, A new exhibition at the Art Gallery of South Australia, shows us how textiles evoke material memories while keeping the radical lineage of needle and thread alive.
In a new collaborative exhibition at PS Art Space, in partnership with Cool Change Contemporary, five artists with process-lead practices contemplate material ethics through actively engaging in slowness and reuse.
In Anmatyerr artist Elizabeth Mbitjana Pitijana’s first solo exhibition in Melbourne—which focuses on the Central Desert food source Arnwekety (bush plum)—the influence and love of her Country and culture is palpable. Elizabeth Mbitjana Pitijana is now showing at Niagara Galleries.
Isaac Julien’s 2022 video work Once Again…(Statues Never Die) exposes the unseen emotional registers inherent to the struggle for colonial repatriation by mapping the places where poetics and politics intersect.
Whether beloved pets or superstitious omens, animals have always existed in art. The Ian Potter Centre: NGV Australia’s latest exhibition is paying tribute to two of the most beloved animal figures: cats and dogs.
