For Hobart Current Biennale, Nathan Maynard has created Relics Act—a project involving a volunteer’s willing sacrifice of their future deceased body on Lutruwita Country, which is how Maynard met 71-year-old Tony.
This summer the Art Gallery of New South Wales is showing the largest Louise Bourgeois survey ever exhibited in Australia. We asked five Australian artists influenced by Bourgeois to each write about one artwork in the exhibition.
In her first major solo exhibition, now showing at Carriageworks, Salote Tawale brings together painting, sculpture, and karaoke in an expansive installation that explores identity and memory.
The Art Gallery of New South Wales’s Kandinsky is the largest showcase of the modernist’s work ever to be exhibited in Australia. What makes his abstract expressionism endure?
Lisa Gorman has always looked to art as inspiration. The Gorman founder and former creative director is starting a new chapter as a multidisciplinary artist, and Warrnambool Art Gallery is exhibiting her new works alongside the art of Mirka Mora.
Since the 1960s Mike Parr has been defining performance art. Known for his performances of extremis, from hacking off a fake arm to burying himself underneath a Tasmanian road for three days. With a new, three-part exhibition at Anna Schwartz Gallery, Parr talks about catharsis, the institutionalisation of performance art, and the motivations behind what he does.
Vincent Namatjira was the first Aboriginal artist to win the Archibald Prize for his portrait of AFL player Adam Goodes in 2020. This painting, among his wider oeuvre, is showing for his first survey at the Art Gallery of South Australia.
Making art vs making ends meet, especially during a cost of living crisis, means making tough decisions, Oslo Davis discovers.
In a new exhibition at Olsen Gallery, Andrew Taylor interrogates how we perceive time, the nature of memory, and how today is just tomorrow’s yesterday.
As representations of contemporary life, especially the domestic and intimate, continue to be meaningful, the still life genre endures—as 16 women artists attest in a new show at Bett Gallery.
Within her warehouse studio in the industrial area of Coburg North, Melbourne, with her dog Merri in tow, Isadora Vaughan creates sculptural installations that sustain a visceral tension between incongruent materials and forms. Her work is showing at STATION Gallery Melbourne.
“At times, your emotions might be conflicted by the outside world, and what is happening around you, but the heart and the mind are always intimately connected.” Karen Black takes us into her practice and thoughts, and her inspiring Sydney studio.
Ceramicist James Lemon creates often irreverent, yet sublimely aesthetic, ceramic works. Ahead of his solo at Sullivan+Strumpf Sydney, and his showing in ‘Melbourne Now’, we visited his light-filled studio, talking about his process, insects and religion, faith and humour.
