Under Sammy Hawker’s gentle guidance, whale song takes shape, ocean water becomes collaborator, salt crystals scatter themselves like stars across analogue film, and ashes murmur secrets onto silver nitrate-soaked paper. Through what she terms “facilitated acts of co-creation,” Hawker gives voice to places, materials, and the more-than-human world.
Five Acts of Love, a new exhibition at ACCA, maps the space in which memory, intimacy and resistance intersect.
Multidisciplinary artist Tara Marynowsky reveals where she finds inspiration, the best time of day for creating and what we can expect to see in her current solo show Cave at Edwina Corlette Gallery.
Peter Hill interviews Simryn Gill about the exhibition Stolon Press: Flat earth at Monash University Museum of Art.
Janenne Eaton’s first major career survey, Lines of Sight—Frame and Horizon opens at Geelong Gallery. With a lifetime of environmental work and appreciation, the work reflects on the omnipotence of technology, capturing the essential commentary of humanity’s effect on the natural world.
Elysha Rei’s exhibition Shirozato to Shinju (White Sugar and Pearls) at Umbrella Studio Contemporary Arts, Townsville QLD, explores the interconnected histories of the Japanese diaspora in Australia.
In our ongoing series, Shelf Portraits, Art Guide writers recommend the books—recently published or deserving of more attention—that shed new light on an idea that has long simmered in the art world or has helped them see a familiar medium in a different light.
Steffie Yee spent many years gathering stories and images of her family’s history in the town of Branxton, NSW where her parents successfully ran a Chinese restaurant. Yee’s solo exhibition Chinese Restaurant Playground, which celebrates playfulness and joy, recently opened at the Maitland Regional Art Gallery.
Dangerously Modern: Australian Women Artists in Europe 1890–1940, co-curated by the Art Gallery of South Australia and the Art Gallery of New South Wales, celebrates 50 Australian women artists who travelled to Europe during the early 20th century.
Sophie Penkethman-Young dives into the cursed, chaotic and charming depths of the online world to create inquisitive artworks exploring technology, the internet and capitalism with humour.
Step inside Remy Faint’s inner-city Sydney garage, where he meticulously constructs every element of his artworks—from wooden frames and sculpted fabric to striking, multilayered paintings in silk. Faint is now showing at the Rockhampton Museum of Art.
Step inside Monica Rani Rudhar’s space at Parramatta Artists Studios, where she works across ceramics, sculpture, video, performance, and latterly, public art. Rudhar is working towards her solo exhibition at Martin Browne Contemporary, while reflecting on the value of play, how imitation leads to authenticity, and why she’d be lost without her sketchbook.
Stepping into Sarah Contos’s sprawling home studio in Kyle Bay, in southern Sydney, feels like a step inside the artist’s inventive and inquisitive brain—apt given that Contos’s upcoming show at UNSW Galleries, Eye Lash Horizon, explores aspects of what makes us human.
