“We can communicate with our hands when we craft something”: This year’s Indian Ocean Craft Triennial, IOTA24, delivers craft and culture across Western Australian art galleries.
Rochelle Haley is responding to the need for safe spaces in a new public artwork at Randwick Health & Innovation Precinct, Lunar Sway, that blends light and colour to create a sense of calm.
The marine life of the Great Southern Reef is the landscape behind Vera Möller’s latest abstract paintings, now showing at Philip Bacon Galleries.
Four Aboriginal women artists are arming themselves with culture and art, showing us the power of matriarchal bonds and sisterhood, in These Arms Hold at Incinerator Gallery.
Described as a fair within the Fair, the PAPER sector of Sydney Contemporary—which encompasses prints, drawings, photography, artist books and zines—reveals the magic of the medium.
When does creative block transform into the timeless, untroubled space of creating? Artist Caitlin Aloisio Shearer likens the process to pushing a boulder up a hill.
In his first major exhibition in over a decade, now showing at Woollahra Gallery at Redleaf, Robert Eadie showcases his expansive oeuvre of paintings and drawings—a body of work developed over his 60-year career as an artist.
With the likes of Björk and Beyonce wearing her creations, within Dutch fashion designer Iris van Herpen’s surreal garments—which are showing at QAGOMA—couture becomes a canvas for the phenomena of nature.
Celebrating its 50th anniversary, Arts Project Australia continues to support and advocate for artists with an intellectual disability—while making the art world rethink its most basic assumptions.
This week, David Jones announced it is donating its archive to Sydney’s Powerhouse Museum. Objects from the archives are now on display at the former David Jones Art Gallery.
An important, beloved site for Central Australian arts, Araluen Arts Centre is now celebrating its 40th anniversary with a reflective exhibition highlighting its vast collection.
Nicholas Smith’s sensuous and bodily sculptures speak to the classical history of the form in an installation that is now on display at the Australian Centre for Contemporary Art as part of Future Remains: The 2024 Macfarlane Commissions.
