Movement and stillness are driving forces in the video and sculptural works of Cate Consandine. This is particularly true of RINGER, the artist’s new three-channel film work currently premiering at Buxton Contemporary. In conversation with Amelia Wallin, Consandine talks about RINGER, the female gaze as a continual point of exploration, film as sculpture, and the viewer as an active and embodied agent.
Rochelle Haley is responding to the need for safe spaces in a new public artwork at Randwick Health & Innovation Precinct, Lunar Sway, that blends light and colour to create a sense of calm.
After six months on the long-abandoned third-floor of Flinders Street Station in Melbourne, TIME • RONE has found its way to Perth, inside the historical Centenary Galleries—a wing of the Art Gallery of Western Australia that has been closed for over 20 years.
Elizabeth Willing intersects her artistic practice with a love of food in Kitchen Studio, an ambitious project showing at Metro Arts as part of Brisbane Festival.
In his latest exhibition at the 4A Centre for Contemporary Art, Elyas Alavi reimagines the alam, an object used in Shi’a ceremonies, as a portal for queer Muslim experience.
The marine life of the Great Southern Reef is the landscape behind Vera Möller’s latest abstract paintings, now showing at Philip Bacon Galleries.
The Centre for Contemporary Photography (CCP) has been forced to vacate its Fitzroy home of almost 20 years following the recent withdrawal of funding from both Creative Australia and Creative Victoria.
Four Aboriginal women artists are arming themselves with culture and art, showing us the power of matriarchal bonds and sisterhood, in These Arms Hold at Incinerator Gallery.
Described as a fair within the Fair, the PAPER sector of Sydney Contemporary—which encompasses prints, drawings, photography, artist books and zines—reveals the magic of the medium.
The NGV’s Reimagining Birrarung: Design Concepts for 2070 invites eight leading Australian landscape architecture and design firms to reimagine the lands and waters of the Birrarung (Yarra River). View, in pictures, a vision for the future of our waterways.
When does creative block transform into the timeless, untroubled space of creating? Artist Caitlin Aloisio Shearer likens the process to pushing a boulder up a hill.
Madjem Bambandila: The Art & Country of Kelly Koumalatsos is a community approach to storytelling. A testament to living culture, the new monograph published by Museums Victoria centres on a cultural activist and artist known for reviving possum skin cloak making in the South East of Australia.
In Lands of Light, Tasmanian Museum and Art Gallery focuses on Lloyd Rees’s (1895-1988) late paintings inspired by the Tasmanian landscape, while also contextualising them within his earlier work.
From pink tasselled capes to catwalk footage, to how identity and politics are inextricably woven through the garments we wear, the title of the National Gallery of Victoria’s (NGV) latest exhibition says it all: Africa Fashion.
In his first major exhibition in over a decade, now showing at Woollahra Gallery at Redleaf, Robert Eadie showcases his expansive oeuvre of paintings and drawings—a body of work developed over his 60-year career as an artist.
