Opinion
Brand Awareness
Building a personal brand can feel non-negotiable for artists—but is it worth the cost?
Building a personal brand can feel non-negotiable for artists—but is it worth the cost?
The Argentinian-Australian artist’s solo exhibition at Moore Contemporary is grounded in extensive ancestral research.
In this interview, William Robinson, 85-year-old painter of twisted otherworldly landscapes, reveals how he learned to translate both loss and time in his work.
The art of Patrick Hall is like a repository of memory that weaves together poetic narratives of world history and personal experience, in particular the history of World War II. His work is now showing at Despard Gallery.
With exhibitions postponed, ceramicist Ruth Ju-Shih Li’s great love of food has filled the space left by clay. Here she tells us the secrets and history of her Mapo Tofu recipe.
Whether snapping her iconic rock’n’roll portraits or intimate family moments, Linda McCartney was a trailblazer.
Break the 24-hour bad news cycle by watching, visiting and playing with art online.
Birds can tell stories of colonial movements, national identity and language.
In her Smartphone Snaps photo essay, Blue Mountains-based artist Vicky Browne makes the most of her home studio and furry menagerie, while missing exhibiting.
The confident, broad brushstrokes of Belem Lett’s new paintings seem to literally zoom around the picture plane, conveying a sense of speed and momentum as they slide across the works’ sleek aluminium surfaces.
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