Preview
A new light for White Rabbit Gallery
Sydney’s White Rabbit Gallery is reopening with a new exhibition centred on an elemental force: light.
Sydney’s White Rabbit Gallery is reopening with a new exhibition centred on an elemental force: light.
In her newest work, Angela Tiatia uses the myth of narcissus to hold a mirror to how we live today.
Richard Bell’s art is a call for social justice that’s equally serious, poetic and darkly humorous. Here, the renowned Indigenous artist tells us the personal and compelling stories behind five of his artworks.
With the first participants announced, the 23rd Biennale of Sydney is centred on rīvus, a Latin word which can be translated as ‘stream’.
‘Experimenta Life Forms: International Triennial of Media Art’ looks at sentience, interspecies communication, and definitions of ‘life’.
Painting in the early 1900s, Clarice Beckett is known as a leading Australian modernist—but a new exhibition locates something more mystical in the artist’s work.
In This Brittle Light, at Buxton Contemporary, six Light Source Commissions, which began as online works during the pandemic, transition into the gallery space and underline why art matters, no matter where you see it.
Fiona Hall is a seasoned storyteller. In her installations EXODUST at AGNSW and Who goes here? at Hyde Park Barracks, she use the language of art – both subtle and bold – to step in where words fail.
Mapping data from conflict zones and disaster areas, Stanislava Pinchuk (also known as Miso) creates art that reflects upon trauma, memory and landscape.
Ruth Burgess filters the work of a 17th century astronomer and her own youthful career as an experimental composer through a decades-long printmaking practice in her latest solo show, The Music of the Planets at Grace Cossington Smith Gallery.
Get the latest news delivered straight to your inbox.
