
Love as an active force, as fierce as the ocean
UQ Art Museum explores the complexities of love, rage, grief, and healing in Mare Amoris | Sea of Love, a collective curatorial vision of art from across the Pacific Ocean.
UQ Art Museum explores the complexities of love, rage, grief, and healing in Mare Amoris | Sea of Love, a collective curatorial vision of art from across the Pacific Ocean.
For Zoe Leonard, photography is not just about using a camera. Photography is also about a way of thinking, seeing and interacting. This focus continues in her recent series Al río/To the River at the Museum of Contemporary Art.
Centering gender, care, sport and nationalism, Anita Johnson has won the 22nd Woollahra Small Sculpture Prize for Tenderness, a salvaged cricket ball restored with leather, linen thread, and possum fur.
At the Museum of Old and New Art (Mona), two international artists—Jónsi of Sigur Rós and Jean-Luc Moulène—are each centering the sensory experiences of nature, from local materials to volcanic eruption.
“I see my work as a research project,” says Agneta Ekholm. “I have a desire to reach into the unknown with each new painting.” Step inside her large-scale abstract paintings at Flinders Lane Gallery.
“There’s a lot of colour, texture and subtlety.” The Queensland Art Gallery is bringing together artists working both within and beyond the traditional field of abstraction for Living Patterns.
View, in pictures, 25 Australian artists who defined the period of modernism in Adelaide in the 1950s and 60s, now showing at Carrick Hill.
The National Gallery of Victoria has announced its 2024 Melbourne Winter Masterpieces exhibition: Pharaoh, an ambitious celebration of ancient Egyptian art and culture.
From coastal Shark Bay to the dusty goldfields region of Leonora, Patrick Brown explores the complexity of landscapes for his new exhibition at Art Collective WA.
Ceramicist Shaun Hayes explores the inherent contradictions of his own work and materials in Single Use, showing at Stanley Street Gallery.
“It’s important we connect with how we look at things in the world.” Elisa Crossing paints images within images, layering visual references in her latest show at Nancy Sever Gallery.
Through her poetically constructed images, Hoda Afshar illuminates a world overshadowed by history and atrocity. Yet we never see despair: we see defiance, comradeship, reinvention and a search for how photography can activate new ways of thinking.
Exploring his Indigenous queer identity, Peter Waples-Crowe pushes expectations. Timmah Ball talks with Waples-Crowe about his art intersecting with his health and social justice work, and how his survey Pride at ACE signals closure alongside new directions.
Hiromi Tango is creating aesthetic pathways through trauma and illness, particularly long Covid, using her signature rainbow palette to centre gentleness, compassion and hope at Brisbane Festival.
Artist and poet Chunxiao Qu bends common language into absurd, funny and meaningful forms that are as forthright as the glow of her neon lights—as seen in her latest show at FUTURES Gallery.