Drawing upon passing scenes from life, and filled with allusions to pop culture, Anne Wallace’s realist paintings deliver images that flitter between intimate and suspenseful.
The new Granville Centre Art Gallery in western Sydney opens this month with a resounding statement of First Nations strength and solidarity.
Turning 30 is a major milestone, well worth celebrating. So Linden New Art is throwing an online party to mark three decades of their annual award exhibition, the Linden Postcard Show.
When Vincent Namatjira won the 2020 Archibald Prize for portraiture for Stand strong for who you are, his painting of AFL player Adam Goodes, there was a widely held feeling that justice had been done.
Indigenous geometry, hip-hop and road movies—welcome to the art of Reko Rennie.
A new sculpture exhibition considers how our experience of space is psychological, cultural and surreal.
Thompson, who got her start at the Aboriginal owned and operated art centre Ernabella Arts in the APY Lands, is an artist who effortlessly works across multiple mediums including painting, printmaking, wood carving, ceramics and fibre-based works.
Symbiosis, the inaugural Bankstown Biennale, has appropriately been assembled by two curators working in tandem, Vandana Ram and Heidi Axelsen, who have brought together the work of 20 Australian artists and writers.
Opening up 50 years of contemporary art at Mornington Peninsula Regional Gallery.
Barbara Cleveland is a mythic persona reclaimed from 1970s Australian art history. A new retrospective explores her ‘forgotten’ life and practice—which is to say, the forgotten practices of non-male creatives at large.
Writer Louise Martin-Chew visited Alair Pambegan at Aurukun in north Queensland, learning first-hand about the artist’s process and connection to Country.
In this interview, while preparing for her retrospective show Finders Keepers at Mundaring Arts Centre, the West Australian artist Nalda Searles talks about her four-decade long textiles-based practice, adapting to the changes life throws in your way, channelling her dark humour, and committing to creativity.
Curator Lee Kinsella discusses mining the Cruthers Collection of Women’s Art for works that embody a kind of transformative material alchemy.
The inaugural show in the new custom-designed space for Science Gallery Melbourne, MENTAL: Head Inside, is a young person-led take on mental health featuring more than 20 interdisciplinary projects from around the globe.
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