Porcelain, fur, paraffin wax, silk, resin, glass, bones, fox and rabbit pelt, Tibetan gazelle horns: these are just some of the materials Juz Kitson uses to create her highly tactile, creature-like sculptural forms.
Working with textiles and bronze, Teelah George uses her smartphone to capture her new life in Melbourne.
Through the stark aesthetic of his smartphone images, Lawrence English provides a striking take on life during lockdown.
Our online lives are on steroids at present. Conflict in My Outlook_We Met Online is prescient in this regard. Planned as a physical exhibition, it segued onto the internet with the pandemic and social-distancing.
While he firmly established a specific vision for the art he wanted to make, John Nixon always remained an artist who loved to experiment and explore.
Mel O’Callaghan’s art delves into one of our most fundamental questions.
Gareth Sansom talks about ambition, chance and mortality, and what changes over six decades and what remains the same.
Working from regional Victoria, Stavrianos is known for her densely layered landscape paintings and use of line in painting, creating works that evoke different environments in ways that are beautiful, psychological and mysterious.
Working between Melbourne and Bangkok, Lesley Dumbrell has sent us snaps of home life: creating, gardening and pets.
Danie Mellor’s new online exhibition at Tolarno Galleries, The Sun Also Sets, made up of paintings and large-format photomontages, is a deeply considered meditation on time, culture and the notion of ‘landspace.’
With Friendship as a Way of Life, curators Doley and José da Silva present a celebratory testament to the way that LGBTQI+ artists and communities have imparted space, time and support to one another by building kinship structures.
Curious, mystical, humourous and bittersweet, Willoh S. Weiland uses her smartphone to give us a sense of living and working in Hobart.
Major exhibitions on European masters are currently showing in multiple Australian cities. What keeps compelling us toward these artworks?
Melding motifs from Chinese culture with Biblical imagery and her own experiences, Louise Zhang’s alluring paintings reach far beyond the gallery.
Australian artists with an intellectual disability have for decades been creating important, rigorous and playful art. Historically these artists have been pushed to the periphery—but not any longer.
In an industry built on gratitude, is a labour union the missing foundation? Madeleine Thornton-Smith delves into the history and possible future of artists’ unions.
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