Colour is simultaneously the most apparent and most complex part of Gemma Smith’s practice. The artist, who has a penchant for abstraction, creates paintings that capture dialogues and interactions between colours.
First-time curator Andrew Atchison focuses an inquiry into queer abstraction, challenging how we comprehend and view queer art.
Steve Dow looks at a number of artists who see VR as loaded with both hope and fear.
Floyd translates politics and philosophy through a cast of anthropomorphic sculptures.
The influence of music, particularly classical, jazz and instrumental music, flows through Bakker’s solo show Resonant Forms.
Sydney University has launched a portal about the remote Ngaanyatjarra world, created in consultation with the community, its contents approved by elders.
JamFactory curator Caitlin Eyre explores the Barossa region’s long-standing connection to Germany in Kinder, Küche, Kirche: Revisiting the Traditions of Barossan Women’s Folk Crafts.
Al Munro’s latest exhibition experiments with translating the content of paintings back into textiles.
The Housing Question—an expansive show by artists Helen Grace, Narelle Jubelin and Sherre DeLys—examines the multiple public and private dimensions of housing.
A group exhibition that seeks to highlight Indigenous knowledge and insights into natural ecologies.
Unearthing relationships between the depictions of Western Australian flora and the state’s Indigenous, colonial and future legacy.
One of the many interesting things about Bugai’s oeuvre is her stylistic diversity. Tight controlled dot-work sits comfortably alongside – and sometimes underneath – loose brushwork.
For three decades Janet Laurence has been lauded for her simultaneously conceptual but also emotive approach to nature. In our interview she talks about being a female artist dealing with nature, and what it means to create ecological art in a time of great environmental threat.
From towering freeway sculpture to tiny glass-encased dioramas, Louise Paramor’s distinctive assemblages evoke both familiarity and wonder.
Now in its third iteration, The National 2021 is about care, hope, storytelling, and triumph through adversity.
MIRKA, a new show at the Jewish Museum of Australia, allows audiences to hear Mirka Mora’s voice and see the artist’s work through the lens of her rich Jewish cultural heritage.
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