Review
21st Biennale of Sydney: George Tjungurrayi and Laurent Grasso
George Tjungurrayi’s brightly coloured paintings seem to hover in the darkened space at Carriageworks.
Tracey Clement
Archive
Podcast
Podcast: Caitlin Franzmann on listening and slowness
When Caitlin Franzmann discusses the larger ideals behind her art practice, she mentions the ambition of “invoking what is bigger than ourselves.”
Tiarney Miekus
Archive
Preview
Colours of Impressionism: Masterpieces from the Musée d’Orsay
Impressionism is beloved by Australian audiences, there’s no doubt about it. While firmly grounded in realism and representational art, it is also in many instances, an abandonment of form and line to chase instead, the momentary and the luminous.
Archive
News
Lee Grant wins National Photographic Portrait Prize
Lee Grant has been awarded the National Photographic Portrait Prize for her black-and-white portrait Charlie, and Filomena Rizzo was highly commended for the photograph of her daughter, My Olivia.
Zara Sigglekow
Archive
Preview
Guy Maestri: On Painting
“Painting is something that I am endlessly challenged and fascinated by. And I struggle with it,” Maestri says.
Tracey Clement
Archive
Preview
APY Art Centre Collective launches Sydney gallery
The APY Art Centre Collective is an organisation that supports 10 Indigenous owned and governed enterprises who work from the APY Lands in northern South Australia.
Tiarney Miekus
Archive
Feature
Artbank’s New Vault opens in Collingwood
Artbank opens their new premises in Collingwood, Melbourne.
Andrew Stephens
Archive
Feature
21st Biennale of Sydney: Oliver Beer
Conjoined mouths. The Sydney Opera House. At the Biennale of Sydney, artist Oliver Beer uses unorthodox instruments to explore sound.
Sheridan Hart
Archive
News
Gail Hastings and Adrian McDonald win the 2018 Redlands Konica Minolta Art Prizes
Melbourne-based artist Gail Hastings won the $25,000 established artist category with her mixed media drawing colour circle: four colour scheme for a room, 2018. Sydney-based emerging artist Adrian McDonald was awarded $10,000 for his painting, Approximating a Circle, 2018.
Art Guide Australia
Archive
Preview, Review
Dan Withey: Bits of Forever
Recently Withey’s practice has focused on the environment and how the human presence effects it.
Briony Downes
Archive
Preview, Review
Spending time with Robert Smithson: Time Crystals
Robert Smithson: Time Crystals is not an exhibition that you can take in on opening night.
Louise Martin-Chew
Archive
News
Ian Potter Cultural Trust withdraws promotional support for Soda_Jerk’s TERROR NULLIUS
Five days before the world premiere of Soda_Jerk’s new film-based work, TERROR NULLIUS, the Ian Potter Cultural Trust withdrew its support of the project and requested not to be included in any promotional material surrounding the event.
Briony Downes
Archive
