Known as one of Australia’s iconic landscape artists of the 20th century, Fred Williams’s showing at The Ian Potter Centre: NGV Australia is an unprecedented collection of his drawings as a young artist in London—capturing everything from city workers to acrobats.
At a moment where politics and individuals feel increasingly divided, Eugenia Lim creates videos, film and installations that look beyond divisiveness, capitalism and exploitation, to forefront the power of collectivity—something she speaks to in our latest podcast series Conflated.
Tamara Dean has been capturing the intimate relationship between people interacting with the environment for over a decade. In her first monograph, published by Thames and Hudson, the artist offers generous insight on her critically acclaimed practice. Here, David Wenham reflects on Dean’s captivating work.
The Amazon is reaching a tipping point. Once a proportion of the rainforest is lost, it will no longer be able to hold the necessary moisture to create the rainfall to sustain itself. Massive dieback will occur with a devastating release of carbon into the atmosphere with a major global impact on climate change.
How does one make an artwork about this? One that possesses a dazzling beauty and, at the same time, has the ability to stop you in your tracks and shock you into action?
The ground-breaking and historic Melbourne Fringe Festival is being celebrated in a major exhibition at the State Library of Victoria. The show reflects on 40 years of Fringe while also looking 40 years ahead.
One of Australia’s most regarded living artists with a 60-year practice, Elisabeth Cummings creates captivating paintings that move in and out of abstract interiors, landscapes and still life. View, in pictures, Cummings’s enthralling new work at King Street Gallery on William.
Celebrating the art and design of the local Victorian community with over 200 artists and makers, Melbourne/Naarm NOW is returning to the The Ian Potter Centre: NGV Australia, following its triumphant 2013 iteration.
In 1966 in the Northern Territory, 200 Gurindji workers pushed forward the land rights movement in Australia. Known as the Wave Hill Walk-Off, the strike protested Aboriginal land dispossession and worker exploitation. Now, Still in My Mind at ANU Drill Hall Gallery examines this significant moment.
“I think it is also about the fact that, in terms of power structures, artists want to remove mechanisms that hinder their capacity for creative freedom,” says artist, writer and curator David Cross in the second episode of our latest podcast, Conflated.
A highly respected cultural and arts leader, Pitjantjatjara woman Sally Scales began painting only a few years ago—and the results are beguiling, leading to Scales being a current NATSIAA finalist at the Museum and Art Gallery of the Northern Territory.
Endlessly inventive, the work of Hong Kong-born, Melbourne-based artist Scotty So spans photography, painting, video work, and drag performance. With a dual exhibition at the Art Gallery of Ballarat, So talks about pageantry, begonias and queens.
Kokatha and Nukunu artist Yhonnie Scarce has earned critical acclaim for her research in nuclear testing and its ongoing impact on First Nations communities. With a survey at the Art Gallery of Western Australia, Scarce speaks to her blown glass forms.
A new exhibition at Bendigo Art Gallery, drawn from the Musée Carnavalet in Paris, brings the Belle Èpoque era to life through impressionist paintings and antique ephemera. View, in pictures, a slice of Parisian history.
White Rabbit Gallery’s latest multimedia exhibition, A Blueprint for Ruins, explores the ongoing destruction and renewal of urban spaces in modern China, with works from over 20 contemporary Chinese artists.
“Heat and gravity were as much the materials as the glass itself,” says Rosalind Lemoh on her latest show at Canberra Glassworks that explores new mediums and influences for the Gundaroo-based artist.
In the most significant exhibition of his career to date at Pinnacles Gallery, Danish Quapoor explores the contradictory emotions of grief while navigating complex shifts in identity and belonging.
