It Ain’t Over ‘Til It’s Over
“We must fight, and we must resist, and we will win again as we have done before.”
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“We must fight, and we must resist, and we will win again as we have done before.”
As the closure of cities pushes art online, have we really learnt anything new?
Eugenia Lim’s major exhibition The Ambassador is currently touring Australia, and brings together works featuring her invented persona, also called the ambassador, who she inhabits across multiple videos, performances and sites.
Through mythology and folklore, Julia Robinson’s sculptures reflect and question our history and present.
From alleviating anxiety to getting fit at home, our current moment has been a time of seeking wisdom. The advice from artists at Cement Fondu? Don’t let yourself go.
A former Melbourne technical college becomes central to growing a creative ecology.
For Time traveller for hole, Sasha Grbich and Kelly Reynolds have harnessed the restrictions and limitations resulting from Covid-19 to reassess, reinvent, and re-imagine their practice.
There has never been a better time to avoid art. However, as Oslo Davis discovered, the internet makes it ridiculously easy to stay connected to the art world, whether you like it or not.
Tom Polo is interested in the space between things—actions, gestures and words—and the body’s movement through the environment.
In Kitchen Creations, Art Guide talks to artists about cooking. For the second part of this series, Sheridan Hart spoke to Bo Wong, Mike Bianco and Mark Valenzuela about channelling their energies into food and drinks, and they shared some of their favourite recipes.
Although only active for four years, the Brio are currently showing at Artspace and Cockatoo Island for the 22nd Biennale of Sydney: NIRIN.
The conceptual backbone of Bundit Puangthong’s art is the tension between holding onto the past and letting go.
The growing cultural interest in art books reflects the enduring power of the printed word. Jane O’Sullivan takes a closer look.
Radical Textiles, A new exhibition at the Art Gallery of South Australia, shows us how textiles evoke material memories while keeping the radical lineage of needle and thread alive.
In a new collaborative exhibition at PS Art Space, in partnership with Cool Change Contemporary, five artists with process-lead practices contemplate material ethics through actively engaging in slowness and reuse.
Curated by Lee Kinsella, Stuffed, Bolstered and Upholstered—on now at Lawrence Wilson Art Gallery—looks at how woven and fibre objects align with the human form, encompassing the practices of over thirty artists working across textiles, painting, ceramics, sculpture and installation.
Helen Mueller has been printmaking for 25 years, but moving to Hobart four years ago shifted her focus to the local natural environment. Now her delicate prints, made with materials foraged from the forest floor, are showing at Handmark Gallery.
The National Gallery of Victoria has announced the next instalment of the Winter Masterpieces series, coming in June 2025, will be a return to French Impressionism—an exhibition from 2021 that closed as soon as it opened due to the global pandemic.
