How Vipoo Srivilasa is repairing happiness
“I can somehow walk the fine balance between the business world and the art world, and also the craft world.”
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Time has revealed itself in new ways during the pandemic. In Time Feeling Slippy, artist David Booth, also known as Ghostpatrol, uses bold colour-block paintings to explore this strange phenomenon.
“Art is this amazing subject,” says Robert Owen. “It comes from different people and it contributes to cultural identity in a way that can question ourselves…”
For over 60 years John Wolseley has been visiting, capturing and sharing his experience of landscapes. But what does it mean to create and innovate over six decades? Wolseley’s work is currently showing in Regenesis – Slow Water – Deep Earth at Roslyn Oxley9 Gallery.
Working from regional Victoria, Stavrianos is known for her densely layered landscape paintings and use of line in painting, creating works that evoke different environments in ways that are beautiful, psychological and mysterious.
A sense of the uncanny echoes through many of the works in Real Worlds: Dobell Australian Drawing Biennial 2020.
Khadim Ali traces the lines that keep us apart in Invisible Border, his largest solo show to date, at the Institute of Modern Art in Brisbane.
A faux Esther Williams gets a Brazilian butt lift in Meat Mirror, a schlock horror collaborative show by Jay Younger and Lisa O’Neill in the 2021 Brisbane Art Design (BAD) festival.
The growing cultural interest in art books reflects the enduring power of the printed word. Jane O’Sullivan takes a closer look.
Radical Textiles, A new exhibition at the Art Gallery of South Australia, shows us how textiles evoke material memories while keeping the radical lineage of needle and thread alive.
In a new collaborative exhibition at PS Art Space, in partnership with Cool Change Contemporary, five artists with process-lead practices contemplate material ethics through actively engaging in slowness and reuse.
In her latest exhibition at THIS IS NO FANTASY, Ellen Dahl presents works from an ongoing photographic series that has captured many sites—from the Norwegian archipelago Svalbard to Tasmania—creating a dialogue between works that center place.
Ahead of his major retrospective at Jan Murphy Gallery, Ben Quilty spoke with fellow painter Georgia Spain about wrestling with mythology, the contradictions of joy and suffering, and a belief in art as an antidote to an increasingly volatile world.
Isaac Julien’s 2022 video work Once Again…(Statues Never Die) exposes the unseen emotional registers inherent to the struggle for colonial repatriation by mapping the places where poetics and politics intersect.
