Teresa Margolles maps the repercussions of pain
Margolles insists that she isn’t an activist. “I am an artist and I use all the limitations of an artist,” she says.
Margolles insists that she isn’t an activist. “I am an artist and I use all the limitations of an artist,” she says.
Agnieszka Polska shows how photography has a complicated relationship to ‘truth’.
Photojournalist Barbara McGrady tells the stories behind her renowned images.
Rob Palmer has won the 2020 National Photographic Portrait Prize (NPPP) with his colour photo of Sydney-based chef Josh Niland titled The mahi-mahi, 2019.
Sancintya Mohini Simpson unpacks a family history of indentured labour.
“As an Armenian, the concept of exile and genocide is not unfamiliar.”
Through a classical Filipino dance form featuring long metal fingernails, artist Bhenji Ra explores the passing down of cultural knowledge.
The award acknowledges Andrew’s “outstanding and sustained contribution to Australian visual art.”
Industrial design meets straw marquetry via the age-old game of ‘exquisite corpse’.
“Drones have become this metaphor for our fear of technology” – Matthew Sleeth
Part of the Melbourne Design Week (MDW) 2020 program, Partu is Jansen and Nargoodah’s latest collaboration.
Tasmanian artist Robert O’Connor has won the 2020 Glover Prize with a unique take on landscape painting.
Positioned on the edge of Sydney Harbour/Warrane, Ancient Feelings, a sculpture by British artist Thomas J Price, launches the Neil Balnaves Tallawoladah Lawn Commission, a three-year series of public artworks presented by the Museum of Contemporary Art Australia.
Georgie Mattingley’s exhibition Project Pine Gap explores the intelligence site Pine Gap, co-owned by the Australian Federal Government and the United States, questioning art’s capabilities and function within such institutions.
Telstra National Aboriginal and Torres Strait Islander Art Awards 2025 finalist Jennifer Kemarre Martiniello has spent decades crafting an art practice that weaves together memory, heritage and form.
In the last 25 years, there have been few themes as omnipresent as the environment, especially when we look at Australian art. Join us as we revisit pieces from our archive that track artists’ ongoing fascination with the natural world and its changing landscape.
Gabriela Burkhalter’s The Playground Project at Incinerator Gallery reinvents the typically serious installation space, inviting children to play, reminding us of its importance within the arts.
The winning painting of this year’s Archibald Packing Room Prize reflected a changing of the guard in the packing room, as well as an evolution of the broader prize, with artists increasingly choosing to paint their fellow artists. The Archibald Prize 2025 currently is on display at Geelong Gallery.
