Confined takes incarcerated Indigenous artists beyond prison walls
“Extraordinarily beautiful and uplifting” works produced through The Torch program reveal artists connecting with culture, identity and Country.
“Extraordinarily beautiful and uplifting” works produced through The Torch program reveal artists connecting with culture, identity and Country.
Drawing from local places and found objects, Brisbane artist Erika Scott conjures community and connection.
In our new series Lockdown Libraries, Art Guide finds out what artists have on their bookshelves. Tracey Clement spoke to Caroline Rannersberger about reading in these troubled times.
This week our online editor Tracey Clement recommends online art highlights including podcasts from the Museum of Contemporary Art, singers taking over the empty Art Gallery of New South Wales, indigenous stories from Koori Heritage Trust, 52 ARTISTS/52 ACTIONS relaunching online, and much more.
In the first of Art Guide’s new series on artists cooking, Jane O’Sullivan spoke to Tai Snaith, Maria Fernanda Cardoso, and James Tylor about their edible creations and asked them to share some of their favourite recipes.
Kaldor Public Art Project launches its first initiative that will take place wholly within the digital sphere. Project 36 invites 15 Australian artists, and audiences everywhere, to just do it.
As a result of the uncertainty surrounding the COVID-19 pandemic, Sydney Contemporary has announced that it will not present an edition of the fair in 2020.
In this time of social distancing, three large-scale online quilting projects are bringing communities together.
The Body Electric explores the depth of what it means to have a material body capable of intimacy, sex and desire.
There was shock and surprise this week at the announcement that Carriageworks, Australia’s largest contemporary multi-arts venue, has gone into voluntary administration.
What does it mean to be in isolation, but in isolation together? In this first edition of our new podcast series Faraway, so close, we take a personal look at solitude, creativity and the arts under COVID-19.
In our new world of hibernating and social distancing, galleries are full to bursting with virtual exhibition tours, podcasts, interviews with artists and curators, videos, and more. Stay tuned, each week one of the Art Guide editors will bring you a selection of online art highlights.
holemtaet hemia (hold this/ hold this tightly) is a new solo exhibition from Shari O’Dwyer at The Condensery, Toogoolawah, Queensland, that explores the woven memories between generations of South Sea Islanders in the Australian colony.
For artist Joel Sherwood Spring, working in video offers an entrée, with accessible technologies and immediacy, to his ongoing fields of enquiry about identity and capital, on display at his show Diggermode 2: Cloud Ceding at the Institute of Modern Art in Brisbane.
Tender Comrade, currently on show at Sydney’s White Rabbit Gallery, creates a new vocabulary of queer kinship by reimagining the relationship between artworks, bodies and space.
This year’s edition of Sydney Contemporary marks the launch of Photo Sydney, a presentation that brings together the country’s most acclaimed photographers and gives the medium —and its relevance to our cultural moment—the attention it deserves.
In its 34th year, Primavera—the Museum of Contemporary Art Australia’s annual survey of Australian artists 35 and under—might be about to age out of itself, but with age it seems, comes wisdom and perspective.
Key artworks from the East Kimberley Art Movement have been restored and are on display in Ride on, shine on at the South Australian Museum.
