Congratulations to Robert Fielding, who has won the 2024 Bowness Photography Prize for Sacred earth/Manta Miil miilpa. The winning work, along with the 73 finalists, are now on display at the Museum of Australian Photography.
Movement and stillness are driving forces in the video and sculptural works of Cate Consandine. This is particularly true of RINGER, the artist’s new three-channel film work currently premiering at Buxton Contemporary. In conversation with Amelia Wallin, Consandine talks about RINGER, the female gaze as a continual point of exploration, film as sculpture, and the viewer as an active and embodied agent.
Rochelle Haley is responding to the need for safe spaces in a new public artwork at Randwick Health & Innovation Precinct, Lunar Sway, that blends light and colour to create a sense of calm.
After six months on the long-abandoned third-floor of Flinders Street Station in Melbourne, TIME • RONE has found its way to Perth, inside the historical Centenary Galleries—a wing of the Art Gallery of Western Australia that has been closed for over 20 years.
Elizabeth Willing intersects her artistic practice with a love of food in Kitchen Studio, an ambitious project showing at Metro Arts as part of Brisbane Festival.
In his latest exhibition at the 4A Centre for Contemporary Art, Elyas Alavi reimagines the alam, an object used in Shi’a ceremonies, as a portal for queer Muslim experience.
The marine life of the Great Southern Reef is the landscape behind Vera Möller’s latest abstract paintings, now showing at Philip Bacon Galleries.
The Centre for Contemporary Photography (CCP) has been forced to vacate its Fitzroy home of almost 20 years following the recent withdrawal of funding from both Creative Australia and Creative Victoria.
Four Aboriginal women artists are arming themselves with culture and art, showing us the power of matriarchal bonds and sisterhood, in These Arms Hold at Incinerator Gallery.
Described as a fair within the Fair, the PAPER sector of Sydney Contemporary—which encompasses prints, drawings, photography, artist books and zines—reveals the magic of the medium.
The NGV’s Reimagining Birrarung: Design Concepts for 2070 invites eight leading Australian landscape architecture and design firms to reimagine the lands and waters of the Birrarung (Yarra River). View, in pictures, a vision for the future of our waterways.
When does creative block transform into the timeless, untroubled space of creating? Artist Caitlin Aloisio Shearer likens the process to pushing a boulder up a hill.
The paintings of Betty Kuntiwa Pumani form a part of a larger, living archive on Antaṟa, her mother’s Country. More than maps, they speak to ancestral songlines, place and ceremony.
A presentation of works by Robert Mapplethorpe curated by the British editor Edward Enninful, Enninful x Mapplethorpe, at the 2025 Ballarat International Foto Biennale, finds resonance in opposites while turning binary thinking on its head.
Auckland-born and raised artist Lisa Reihana is ever the optimist, creating two new works signifying social cohesion to hang outside two Australian arts venues—Ngununggula, and Sydney Contemporary at Carriageworks —just as dark divisions seek to undermine the value of migration and Indigenous sovereignty.
Over 70 fabulous garments of exquisite craftsmanship – some made of silk with gold and silver embroidery and dazzling designs – have been assembled within a context of over 150 paintings, posters, wood block prints, magazines and decorative arts. Although many of the items have never been previously exhibited in Australia, most are now in the collection of the National Gallery of Victoria, with many specifically acquired for this exhibition.
Evie Adasal’s show Light and Space unveils a series of works that look at the intersection of design, light and space at The Garden Gallery in Sydney.
In its 18th year, the National Photographic Portrait Prize celebrates photographic portraiture from emerging and established artists, highlighting what it means to be Australian, through photographs of its people.
