Artists need not fear the spectre of AI-generated art. Instead, Oslo Davis suggests, we need to start reaping the rewards.
Suggested Reading
Cartographies of the heart
Five Acts of Love, a new exhibition at ACCA, maps the space in which memory, intimacy and resistance intersect.
Tahmina Maskinyar
Sabsabi and Dagostino recommissioned by Creative Australia to represent Australia at the 61st Venice Biennale in 2026
Artist Khaled Sabsabi and curator Michael Dagostino have been recommissioned by Creative Australia as the Artistic Team for the Australia Pavilion at the 2026 Venice Biennale.
Chloé Wolifson
Sophie Penkethman-Young’s Scroll Play
Sophie Penkethman-Young dives into the cursed, chaotic and charming depths of the online world to create inquisitive artworks exploring technology, the internet and capitalism with humour.
Michelle Wang
Remy Faint explores material culture in his garage-studio
Step inside Remy Faint’s inner-city Sydney garage, where he meticulously constructs every element of his artworks—from wooden frames and sculpted fabric to striking, multilayered paintings in silk. Faint is now showing at the Rockhampton Museum of Art.
Michelle Wang
Talking painting with Wendy Sharpe
Wendy Sharpe’s expressive paintings incorporate social criticism and otherworldly dreamscapes, blending the real and imagined. With a current exhibition at Philip Bacon Galleries, she reflects on her three-decade practice and that iconic painting of Magda Szubanski.
Sally Gearon
Backyard Questions and Kitchen Table Answers: A Conversation with Stolon Press’s Simryn Gill
Peter Hill interviews Simryn Gill about the exhibition Stolon Press: Flat earth at Monash University Museum of Art.