Vincent Namatjira has won the 2020 Archibald Prize for portraiture with his painting of footballer Adam Goodes, Stand strong for who you are.
For the first time in its 47-year-long history, the Biennale of Sydney (BOS) is offering a selection of artworks featured in its current exhibition, NIRIN, for sale in an online auction.
For a new wave of contemporary artists, art-making can imagine a future free of oppressive structures—and create a language for building a more inclusive world.
How do you choose who to paint, and why? Three Archibald Prize finalists discuss the people behind their 2020 portraits.
Playful and introspective, portraits from the Northern Beaches reveal a diverse artistic community.
Gangguan Tenggara – Edisi Indonesia is the fourth and final in Bega Valley Regional Gallery’s South/East Interference exhibition series.
Scars are evidence of injury, but they are also a mark of healing, resilience and survival.
Through the character of Sisyphina, Lou Conboy navigates myth, resilience and the craggy Tasmanian coast.
A much-loved educator and mentor, Kate Daw was a quintessential Melbourne art-world figure and a significant artist of her generation.
In her day, Hester was not just overlooked due to her subject matter and gender, but also because she chose drawing as her medium.
In ACE Open’s 2020 South Australian Artist Survey If the future is to be worth anything, the Adelaide-based contemporary art gallery invited artists and collectives to create new work, embarking upon unrealised projects.
Neighbour – a friendly, flirty chat bot who is centred on uncovering one potent question: how does it feel?
The growing cultural interest in art books reflects the enduring power of the printed word. Jane O’Sullivan takes a closer look.
Radical Textiles, A new exhibition at the Art Gallery of South Australia, shows us how textiles evoke material memories while keeping the radical lineage of needle and thread alive.
In a new collaborative exhibition at PS Art Space, in partnership with Cool Change Contemporary, five artists with process-lead practices contemplate material ethics through actively engaging in slowness and reuse.
Past meets present in Leyla Steven’s latest exhibition, now showing at the Art Gallery of New South Wales and co-curated by Artspace. The Australian-Balinese artists adopts a collaborative approach to restitution, scrutinising the systems of conservation and documentation we have inherited.
Anador Walsh reviews Ivan Cheng’s performance exhibition NP at Monash University Museum of Art—a three-day project, made in collaboration with a group of Year 11 students, that explores the loss of childhood innocence and role of documentation in performance.
Emma Phillips has a knack for catching moments of unbridled humanity. In her latest exhibition at ReadingRoom, she shines a light on the breadth of her practice, amalgamating several projects from the last decade.
