Congratulations to senior Pitjantjatjara artist Tuppy Ngintja Goodwin for winning the 2022 Hadley’s Art Prize for a moving and intricate painting depicting the ancient Maku Tjukurpa (witchetty grub) songline from Mimili. Goodwin is the first woman to win the prize since it began in 2017.
There is an uncomfortable positioning of being both inside and outside the boundaries of control within relationships—and navigating such an in-betweenness drives Olivia Colja’s art at Kolbusz Space.
Iluwanti Ken and Betty Muffler are both celebrated senior Aṉangu Pitjantjatjara Yankunytjatjara artists and Ngangkari (traditional healers) for community and Country. Together, they join forces for a significant and powerful exhibition at Jan Murphy Gallery. View, in pictures, Ken and Muffler’s evocative and illuminating works.
“I am absolutely interested in making an image worth looking at.” The first survey of Catherine Rogers’s photography, Evidence and The Visible at ANU’s Drill Hall Gallery, looks at the allure of ‘unreal’ images.
When iconic conceptual artist Sol LeWitt visited Australia in 1977 and 1998, he found an affinity with Indigenous art. Now, for the first time in 45 years, LeWitt’s work will return to the Art Gallery of New South Wales, alongside new musical collaborations and First Nations art—all for the next Kaldor Public Art Project.
“For me, it’s about wonder and not knowing, and the undoing of trying to solve something,” says Susan Jacobs. The Sydney-born, London-based artist is having her largest show to date at Buxton Contemporary, where romance may be found in the clinical—and detritus becomes precious.
The creation of art is not dissimilar from the creation of worlds: from fantastical responses to personal and collective utopian imaginings, ideas of alternative worlds are being expressed across three innovative exhibitions at the Museum of Contemporary Art, State Library of Victoria, and 16Albermarle and Delmar Gallery.
Known for painting startlingly minute moments from cinema, Nicola Smith’s newest works at Sarah Cottier Gallery draw upon a reference closer to home: childrearing and domestic life.
With her parents migrating to Australia in 1984, Adelaide-born artist Allison Chhorn uses film to explore migration, displacement and intergenerational trauma—all with highly empathic affect, as showing at ACE Open.
“It’s really about looking at images and putting them together, and looking at how they behave,” says David Noonan in our podcast series Artists Abroad, talking with artists who’ve moved to London and what the move has meant for their practice—while also chatting about the art itself.
“Because what is the substance of our lives, except for the things we thought were significant?” From standing on clifftops to attempting to swim the English Channel, for over two decades Todd McMillan has created art on endurance, melancholia and absurdity—and he’s taking this further with new shows at Nicholas Thompson and Penrith Regional Gallery.
The growing cultural interest in art books reflects the enduring power of the printed word. Jane O’Sullivan takes a closer look.
Radical Textiles, A new exhibition at the Art Gallery of South Australia, shows us how textiles evoke material memories while keeping the radical lineage of needle and thread alive.
In a new collaborative exhibition at PS Art Space, in partnership with Cool Change Contemporary, five artists with process-lead practices contemplate material ethics through actively engaging in slowness and reuse.
In her latest exhibition at THIS IS NO FANTASY, Ellen Dahl presents works from an ongoing photographic series that has captured many sites—from the Norwegian archipelago Svalbard to Tasmania—creating a dialogue between works that center place.
The National Gallery of Victoria has announced the next instalment of the Winter Masterpieces series, coming in June 2025, will be a return to French Impressionism—an exhibition from 2021 that closed as soon as it opened due to the global pandemic.
With a 50-year practice exploring her Chinese heritage, longing and belonging, Zen spiritualism and the endless nature of being, Lindy Lee is now unveiling the pinnacle of her art.
