
Feature
Prince and the Revolution
Creating a kaleidoscopic vision of Australia, John Prince Siddon’s works dance on the edges.
Barnaby Smith
Archive
Creating a kaleidoscopic vision of Australia, John Prince Siddon’s works dance on the edges.
Corbett’s art making began 20 years ago on the grounds of his former car-wrecking business.
After years of imbalance, the time has finally come for the arts sector to achieve greater gender equality. But will it be more than a hashtag?
Melbourne photographer Atong Atem is known for bright, highly patterned tableaux, shot like traditional studio portraits. In her latest series, Portals, she strips away the colour and presents a more intimate view of her subjects.
Debra Porch’s posthumous exhibition reminded me of a piece of graffiti I saw on the back of a toilet stall door a few years ago.
When Adelaide-based artist Sue Kneebone visited Mauritius it was not for the blue sky and beaches, it was for family.
Joseph Banks is painted in the late afternoon under moody dark clouds in a landscape better suited to board shorts and thongs.
Populated by new worlds that bring alternative mythologies to life, Feedback Loops playfully invites audiences to question preconceived structures within society.
“In some ways I don’t think of my life and art as separate things, I think it’s one in the same thing,” says artist Louise Weaver when speaking of her creative pursuits.
But in its touring program Freighting Ideas, the Art Gallery of Western Australia (AGWA) is sending its artworks on an ambassadorial tour throughout Western Australia to near and distant regional galleries.
Seeking out inhospitable environments, Eloise Kirk is drawn to the unpredictable.
“Art is more enjoyable if you look at it hard and long, than if you look at it idly and in passing.”
Now in its third iteration, The National 2021 is about care, hope, storytelling, and triumph through adversity.
From towering freeway sculpture to tiny glass-encased dioramas, Louise Paramor’s distinctive assemblages evoke both familiarity and wonder.
MIRKA, a new show at the Jewish Museum of Australia, allows audiences to hear Mirka Mora’s voice and see the artist’s work through the lens of her rich Jewish cultural heritage.
For three decades Janet Laurence has been lauded for her simultaneously conceptual but also emotive approach to nature. In our interview she talks about being a female artist dealing with nature, and what it means to create ecological art in a time of great environmental threat.
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