Richard Tipping: Art Word
Richard Tipping is a wordsmith; as both an artist and a poet, language is his raw material.
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Richard Tipping is a wordsmith; as both an artist and a poet, language is his raw material.
In this first series of Five on Five we’re asking five painters to speak about a painting that has influenced, inspired or resonated with them. In this episode Kate Beynon reflects on The Creation of the Birds (1958) by Spanish artist Remedios Varo.
New Zealand-born, Melbourne-based artist Ronnie van Hout has made a name for himself with works that are perplexing, outlandish and disruptive.
In a groundbreaking exhibition, curator Hannah Presley makes a case for the multifaceted representation of contemporary Indigenous art.
Liam Garstang’s cross-disciplinary practice reveals a haunted, wounded vision of inland Australia.
Incarceration is a long chapter in Australia’s history; a new exhibition looks at how detention continues to impact the world.
The more things change, the more they stay the same. What can a 500-year-old triptych by Hieronymus Bosch tell us about the current political climate?
A rare opportunity begets a rare challenge: extract 130 years of the Museum of Modern Art’s rich collecting in 200 works or less.
A group exhibition at Monash University Museum of Art examines the divide between architectural spaces of global power, and the most precarious of structures.
French artists Fabien Giraud and Raphaël Siboni speculate on the future of us, and the solar system, in a two part special at Mona.
Stieg Persson’s practice has dealt with a multiplicity of themes over the decades. His survey show reveals this polyphony, steadied by art history.
To coincide with The Field Revisited at NGV Melbourne, local Melbourne galleries have programmed complimentary shows. Most explore the influence of The Field on contemporary art practice, especially abstract art made today, often infused with colour that pops.
