To coincide with The Field Revisited at NGV Melbourne, local Melbourne galleries have programmed complimentary shows. Most explore the influence of The Field on contemporary art practice, especially abstract art made today, often infused with colour that pops.
In Vanishing Point five artists come together to draw a net around the nebulous nature of islands.
A new exhibition at Burnie Regional Art Gallery, titled Push, Pull, Press, explores the multi-faceted world of etching, linocutting and engraving.
After a decade working at Tolarno Galleries in Melbourne, Radonich is keenly aware of the challenges she faces in stepping away from a big brand.
For many Melbournians their first experience with the not-for-profit arts sector is with West Space, the influential institution that is now celebrating its 25th year of existence.
The natural world is recast through the lens of a lover, not a fighter, in Sensual Nature.
Artbank opens their new premises in Collingwood, Melbourne.
Conjoined mouths. The Sydney Opera House. At the Biennale of Sydney, artist Oliver Beer uses unorthodox instruments to explore sound.
Infused with urban life, Tanya Goel’s works reference both weaving and the screen, mathematics and memory.
At the helm of the 21st Biennale of Sydney, artistic director Mami Kataoka dives into the archives, calls on her ‘brother’ and puts art activism into perspective.
In its inaugural exhibition, Buxton Contemporary is looking into the future, with art as a Wellsian device, and artists, the soothsayers.
There’s a rich and long history behind cameraless photography yet it continues to beguile, and recently, divide the public.
