Neil Frazer: force of nature
Neil Frazer removes all human references from his seascapes; their imagery, form and execution evokes the extreme power of nature.
Neil Frazer removes all human references from his seascapes; their imagery, form and execution evokes the extreme power of nature.
Artist and soccer fan Khaled Sabsabi captures transcendence in unexpected places.
How do you think about the future at a time when the future feels so uncertain? In this third edition of Faraway, so close, artists Cyrus Tang and Lucy McRae give their thoughts and feelings on where we are now, and where we’re headed next.
Create NSW, a state government agency, has agreed to give Carriageworks Ltd a 10-year lease at the former railway yards site at Eveleigh in inner Sydney.
At a time when the world is in collective mourning, Dancing with the Dead at The Lock-Up confronts grief and celebrates its part in the human experience.
Through mysticism, power and feminism, Willoh S. Weiland shows us what performance can do.
Born in 1934, Elisabeth Cummings has been painting professionally for more than 60 years.
“We must fight, and we must resist, and we will win again as we have done before.”
As the closure of cities pushes art online, have we really learnt anything new?
Eugenia Lim’s major exhibition The Ambassador is currently touring Australia, and brings together works featuring her invented persona, also called the ambassador, who she inhabits across multiple videos, performances and sites.
Through mythology and folklore, Julia Robinson’s sculptures reflect and question our history and present.
From alleviating anxiety to getting fit at home, our current moment has been a time of seeking wisdom. The advice from artists at Cement Fondu? Don’t let yourself go.
Positioned on the edge of Sydney Harbour/Warrane, Ancient Feelings, a sculpture by British artist Thomas J Price, launches the Neil Balnaves Tallawoladah Lawn Commission, a three-year series of public artworks presented by the Museum of Contemporary Art Australia.
Georgie Mattingley’s exhibition Project Pine Gap explores the intelligence site Pine Gap, co-owned by the Australian Federal Government and the United States, questioning art’s capabilities and function within such institutions.
Telstra National Aboriginal and Torres Strait Islander Art Awards 2025 finalist Jennifer Kemarre Martiniello has spent decades crafting an art practice that weaves together memory, heritage and form.
Mundamurra Ngijinda Dulk—My Island Home at Cairns Art Gallery, is a landmark exhibition dedicated to the late Mirdidingkingathi Juwarnda Sally Gabori, one of the most singular voices in Australian contemporary painting.
For Lardil and Yangkaal writer and curator Maya Hodge, Archie Moore’s presentation at the 2024 Venice Biennale was a powerful symbol of reckoning—one that asks the world to bear witness to the long shadows of colonial violence and clears space for possibilities ahead. kith and kin is now on display at QAGOMA, Brisbane, until 18 October 2025.
Curators Martyn Jolly and Tony Oates’ Light Source, brings together ten artists whose work incorporates combinations of light projection and performance at Drill Hall Gallery in Canberra.
