The NSW Government has committed $480-$500 million to renew the Powerhouse Museum Ultimo as the centre of a design and fashion hub.
Sally Rees celebrates the witchy magic of female ageing via the figure of the ‘crone’.
Jeweller Blanche Tilden has spent 25 years adorning people with unusual materials—from glass and metal to computer parts and bicycle chains.
Peter Wegner has won the Archibald Prize for portraiture in its centenary year with his Portrait of Guy Warren at 100.
Australian artists with an intellectual disability have for decades been creating important, rigorous and playful art. Historically these artists have been pushed to the periphery—but not any longer.
Yorna (Donny) Woolagoodja, a renowned artist from the Western Kimberly region of Western Australia, was honoured with a prestigious Red Ochre Award for Lifetime Achievement.
Richard Bell’s art is a call for social justice that’s equally serious, poetic and darkly humorous. Here, the renowned Indigenous artist tells us the personal and compelling stories behind five of his artworks.
For over four decades William Yang has photographed moments of love and death, crisis and identity.
Positioned on the edge of Sydney Harbour/Warrane, Ancient Feelings, a sculpture by British artist Thomas J Price, launches the Neil Balnaves Tallawoladah Lawn Commission, a three-year series of public artworks presented by the Museum of Contemporary Art Australia.
Georgie Mattingley’s exhibition Project Pine Gap explores the intelligence site Pine Gap, co-owned by the Australian Federal Government and the United States, questioning art’s capabilities and function within such institutions.
Telstra National Aboriginal and Torres Strait Islander Art Awards 2025 finalist Jennifer Kemarre Martiniello has spent decades crafting an art practice that weaves together memory, heritage and form.
Desert Mob is a critical platform for the cultural and creative authority of desert artists—with artists driving new ways of making, collaborating, and innovating on their own terms, ensuring cultural knowledge is not just maintained but continually expanded through practice.
For contemporary jeweller Kyoko Hashimoto, an exhibition at the Art Gallery of South Australia marks a shift in her approach to materials and method, with a renewed focus on sustainability.
A new exhibition by Melbourne painter Lisa Radford is animated by a deep interest in the way ideas circulate—and the connections between people that unfold over time.
