Sheep Show
Thanks to countless sitcoms, the nuanced realities of office work are common knowledge. Not so with agriculture.
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Thanks to countless sitcoms, the nuanced realities of office work are common knowledge. Not so with agriculture.
Light and space are key concerns in Roger Byrt’s paintings which emit radiance and engross the viewer through upheavals of perspective.
Despite being in the middle of a pandemic, Daniel Boyd’s schedule is full to the brim.
Living on a cattle farm south of Perth with his family, Abdul-Rahman Abdullah explores family, history and memory.
The Perth Institute of Contemporary Arts has reopened its doors with Hatched 2020 National Graduate Show.
Neil Frazer removes all human references from his seascapes; their imagery, form and execution evokes the extreme power of nature.
Artist and soccer fan Khaled Sabsabi captures transcendence in unexpected places.
How do you think about the future at a time when the future feels so uncertain? In this third edition of Faraway, so close, artists Cyrus Tang and Lucy McRae give their thoughts and feelings on where we are now, and where we’re headed next.
Create NSW, a state government agency, has agreed to give Carriageworks Ltd a 10-year lease at the former railway yards site at Eveleigh in inner Sydney.
At a time when the world is in collective mourning, Dancing with the Dead at The Lock-Up confronts grief and celebrates its part in the human experience.
Through mysticism, power and feminism, Willoh S. Weiland shows us what performance can do.
Born in 1934, Elisabeth Cummings has been painting professionally for more than 60 years.
The growing cultural interest in art books reflects the enduring power of the printed word. Jane O’Sullivan takes a closer look.
Radical Textiles, A new exhibition at the Art Gallery of South Australia, shows us how textiles evoke material memories while keeping the radical lineage of needle and thread alive.
In a new collaborative exhibition at PS Art Space, in partnership with Cool Change Contemporary, five artists with process-lead practices contemplate material ethics through actively engaging in slowness and reuse.
In Anmatyerr artist Elizabeth Mbitjana Pitijana’s first solo exhibition in Melbourne—which focuses on the Central Desert food source Arnwekety (bush plum)—the influence and love of her Country and culture is palpable. Elizabeth Mbitjana Pitijana is now showing at Niagara Galleries.
Curated by Lee Kinsella, Stuffed, Bolstered and Upholstered—on now at Lawrence Wilson Art Gallery—looks at how woven and fibre objects align with the human form, encompassing the practices of over thirty artists working across textiles, painting, ceramics, sculpture and installation.
The National Gallery of Victoria has announced the next instalment of the Winter Masterpieces series, coming in June 2025, will be a return to French Impressionism—an exhibition from 2021 that closed as soon as it opened due to the global pandemic.
