It’s the Beginning of a New Age
Lightning bolts, smiley faces, Buddhism and rock’n’roll: Nell draws on a catalogue of symbols to conjure the moments where language fails.
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Lightning bolts, smiley faces, Buddhism and rock’n’roll: Nell draws on a catalogue of symbols to conjure the moments where language fails.
Thanks to countless sitcoms, the nuanced realities of office work are common knowledge. Not so with agriculture.
Light and space are key concerns in Roger Byrt’s paintings which emit radiance and engross the viewer through upheavals of perspective.
Despite being in the middle of a pandemic, Daniel Boyd’s schedule is full to the brim.
Living on a cattle farm south of Perth with his family, Abdul-Rahman Abdullah explores family, history and memory.
The Perth Institute of Contemporary Arts has reopened its doors with Hatched 2020 National Graduate Show.
Neil Frazer removes all human references from his seascapes; their imagery, form and execution evokes the extreme power of nature.
Artist and soccer fan Khaled Sabsabi captures transcendence in unexpected places.
How do you think about the future at a time when the future feels so uncertain? In this third edition of Faraway, so close, artists Cyrus Tang and Lucy McRae give their thoughts and feelings on where we are now, and where we’re headed next.
Create NSW, a state government agency, has agreed to give Carriageworks Ltd a 10-year lease at the former railway yards site at Eveleigh in inner Sydney.
At a time when the world is in collective mourning, Dancing with the Dead at The Lock-Up confronts grief and celebrates its part in the human experience.
Through mysticism, power and feminism, Willoh S. Weiland shows us what performance can do.
Existing in the space between ritual, performance and ceremony, the body-centred work of Latai Taumoepeau rewrites the stories that shape our perception of Oceania—while using ancient traditions to tackle our most urgent modern concerns. Taumoepeau is now participating in Re-Stor(y)ing Oceania at Artspace.
Congratulations to Aisha Sherman-Noth, who has won the 2025 Glover Prize for Weeping birches on the avenue. The Tasmanian-based artist wins $80,000 for the painting, which depicts weeping birch and poplar trees along the Brooker Highway into Hobart.
Now showing at Manly Art Gallery & Museum, the 5th Tamworth Textile Triennial: Residue + Response, showcases 25 diverse artworks and considers what contemporary textiles can be.
The Victorian First Peoples Art and Design Fair debuts in partnership with the Melbourne Art Fair this weekend, offering a special preview of new and recent artworks from 37 Koorie artists and designers.
The intricate paintings of Nusra Latif Qureshi, now showing at the Art Gallery of New South Wales, remake and reroute imperial narratives and trace the borders of the shifting self.
In her audacious new exhibition, the Filipina Australian artist Marikit Santiago skewers the myths of the western canon and give pleasure and power—as experienced by women of colour—an arresting new form.
