The stories we tell
Working from the APY Lands, Robert Fielding blends Indigenous tradition and culture with innovative forms.
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Working from the APY Lands, Robert Fielding blends Indigenous tradition and culture with innovative forms.
Showing serene images of family life on a cattle farm south of Perth, Abdul-Rahman Abdullah captures poignant and fun insights into parenting and creating.
Giselle Stanborough’s Cinopticon was relevant well before the current pandemic crisis. But as our personal and professional lives are moving online rapidly and more comprehensively than ever, Stanborough’s research takes on a kind of chilling urgency.
Hiromi Tango shares images of her Tweed Heads home life, including her gardening abode and recent harvest.
Lauded by almost everyone, the Biennale has been called “confrontational” and “consequential,” often followed by the fact that it’s the first time the event has been curated by an Indigenous director; artist Brook Andrew.
Our 24-hour news cycle and click-driven media landscape can be exhausting, yet experimental photographer Jacinta Giles is channelling this reliance on news into art.
Through the medium of sound and the act of listening, Lawrence English mines power and control.
Across the country some galleries are open, while others have had to close, but the online sphere remains absolutely jam-packed with art content, from dedicated online exhibitions and art lessons to behind-the-scenes access to collections. Tracey Clement has handpicked a few online excursions that we can all take, no matter where we are.
Channelling healing and transformation, the moment has never been more timely for Hiromi Tango’s emotive creations.
Cooking food and making art both require skill and imagination. In the third part of Art Guide’s Kitchen Creation series, artists Cigdem Aydemir, Ellen Dahl and Sebastian Moody share some of their favourite recipes and talk to Tracey Clement about the creativity of cooking.
William Yang has sent us snaps of his life in Sydney, capturing his shrines and studio, and small ephemera from his day-to-day.
Lightning bolts, smiley faces, Buddhism and rock’n’roll: Nell draws on a catalogue of symbols to conjure the moments where language fails.
The growing cultural interest in art books reflects the enduring power of the printed word. Jane O’Sullivan takes a closer look.
Radical Textiles, A new exhibition at the Art Gallery of South Australia, shows us how textiles evoke material memories while keeping the radical lineage of needle and thread alive.
In a new collaborative exhibition at PS Art Space, in partnership with Cool Change Contemporary, five artists with process-lead practices contemplate material ethics through actively engaging in slowness and reuse.
Melbourne Art Fair has announced its 2025 line up, with 60 galleries and Indigenous art centres slated to feature alongside some major international commissions and public programs.
Natalya Hughes has a conflicted fascination with modernist men like Freud, Kirchner and de Kooning. Jane O’Sullivan takes a look at The Interior, the Institute of Modern Art monograph on her recent practice, and discovers difficult and provocative questions about not just the representation of women in art and culture, but also the careers of women artists in Australia.
With a 50-year practice exploring her Chinese heritage, longing and belonging, Zen spiritualism and the endless nature of being, Lindy Lee is now unveiling the pinnacle of her art.
