After 35 years Brenda May moves her gallery online
Brenda May is about to shut the doors on her MAY SPACE gallery in Sydney, but she is most definitely not closing up shop.
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Brenda May is about to shut the doors on her MAY SPACE gallery in Sydney, but she is most definitely not closing up shop.
Meredith Turnbull has been creating digital works that look at the idea of ‘excess’.
Miles Hall’s recent paintings evoke romance through their depth of surface and fairy tale inspirations.
Overlapping Magisteria is the name of the 2020 Macfarlane Commissions on show at the Australian Centre for Contemporary Art (ACCA).
“A big part of art is sharing it with others. Painting is only art while someone is looking at it; that is already a collaboration between the artist and the audience.”
Weapons for the Soldier brings together 41 Indigenous and non-Indigenous artists to reflect on warfare and the inherent drive to protect Country, family and culture.
For three decades Lisa Roet has used drawing and sculpture to highlight the similarities between humans and apes—close relations with whom we share 98% of our DNA.
From Marlon Brando’s Triumph Thunderbird 6T in ‘The Wild One’ to the Harley-Davidsons of ‘Easy Rider’, motorcycles have, over the decades, given art and entertainment some pivotal, iconic moments.
As part of a bumper Budget announcement yesterday, the Victorian government confirmed their commitment to fund the construction of Australia’s largest gallery of contemporary art and design, NGV Contemporary.
From song and dance to handcrafted objects, ‘TIWI’ celebrates the vitality of over 100 years of Tiwi art and culture.
Marian Tubbs moved from Sydney to the northern New South Wales town of Lismore in February this year, and already this new setting is weaving its way into her practice.
The Australian Centre for the Moving Image will reopen its renovated space in early 2021. But ACMI has already unleashed XOS, the shorthand title for its new internet “experience operating system,” which features artworks and performances curated and created specifically for online, and a new video-on-demand service for arthouse and festival films.
The growing cultural interest in art books reflects the enduring power of the printed word. Jane O’Sullivan takes a closer look.
Radical Textiles, A new exhibition at the Art Gallery of South Australia, shows us how textiles evoke material memories while keeping the radical lineage of needle and thread alive.
In a new collaborative exhibition at PS Art Space, in partnership with Cool Change Contemporary, five artists with process-lead practices contemplate material ethics through actively engaging in slowness and reuse.
Curated by Lee Kinsella, Stuffed, Bolstered and Upholstered—on now at Lawrence Wilson Art Gallery—looks at how woven and fibre objects align with the human form, encompassing the practices of over thirty artists working across textiles, painting, ceramics, sculpture and installation.
Natalya Hughes has a conflicted fascination with modernist men like Freud, Kirchner and de Kooning. Jane O’Sullivan takes a look at The Interior, the Institute of Modern Art monograph on her recent practice, and discovers difficult and provocative questions about not just the representation of women in art and culture, but also the careers of women artists in Australia.
Melbourne Art Fair has announced its 2025 line up, with 60 galleries and Indigenous art centres slated to feature alongside some major international commissions and public programs.
