Marlene Gilson’s histories of home
With an eye for capturing the colonial holds of history while communicating her profound spiritual connection to Country, in My Place – Before Marlene Gilson paints the history of her home.
With an eye for capturing the colonial holds of history while communicating her profound spiritual connection to Country, in My Place – Before Marlene Gilson paints the history of her home.
Painter Jack Lanagan Dunbar uses copper and gestural mark-making to capture both the folly of humanity and the awesome power of nature in his solo show Signal, part of Art Month Sydney.
In his solo show at Macquarie University Art Gallery, Pandemic Bodies, Fan Dongwang tries to raise awareness of humanity’s shortcomings.
From riots and rations to the story of Aboriginal baking, this group exhibition explores how history has been shaped by the humble loaf.
Newly announced NGV 2021 season includes both local and international impressionism.
What are the links between feminism, contemporary art and disability? These questions, and more, are explored in the second episode of our newest podcast series FEM-aFFINITY, featuring a very honest and intimate conversation with photographer Janelle Low.
Gabriella Hirst’s latest video takes influence from an 1800s painting of the Darling River, questioning why we immortalise nature in painting, but not in life.
Curator Tim Riley Walsh talks about bringing together Queensland artists to picture climate disasters that are beyond the limits of perception for On Fire: Climate and Crisis at the Institute of Modern Art (IMA).
Despite the barriers to international travel, New York artist Robin Frohardt is bringing her ecological art installation—centred on plastic bags—to Adelaide.
PHOTO 2021, which runs across multiple venues in Melbourne, tackles truth in the post-truth era.
Children can radically alter how artists approach their work—and some even find themselves collaborating with their kids.