A Call to Rise: the politics of bread
From riots and rations to the story of Aboriginal baking, this group exhibition explores how history has been shaped by the humble loaf.
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From riots and rations to the story of Aboriginal baking, this group exhibition explores how history has been shaped by the humble loaf.
Newly announced NGV 2021 season includes both local and international impressionism.
What are the links between feminism, contemporary art and disability? These questions, and more, are explored in the second episode of our newest podcast series FEM-aFFINITY, featuring a very honest and intimate conversation with photographer Janelle Low.
Gabriella Hirst’s latest video takes influence from an 1800s painting of the Darling River, questioning why we immortalise nature in painting, but not in life.
Curator Tim Riley Walsh talks about bringing together Queensland artists to picture climate disasters that are beyond the limits of perception for On Fire: Climate and Crisis at the Institute of Modern Art (IMA).
Despite the barriers to international travel, New York artist Robin Frohardt is bringing her ecological art installation—centred on plastic bags—to Adelaide.
PHOTO 2021, which runs across multiple venues in Melbourne, tackles truth in the post-truth era.
Children can radically alter how artists approach their work—and some even find themselves collaborating with their kids.
Kangaroo teeth, river reeds, streetwear and sculpture: the rich world of contemporary Indigenous fashion.
LGBTQI+ people flash their tats and tell their tales in SKIN DEEP at the National Art School Cell Block Theatre.
In the group show Void, curator Emily McDaniel from the Kalari Clan of the Wiradjuri nation in central New South Wales invoked the void as a space occupied by Indigenous knowledge, stories and meaning.
The growing cultural interest in art books reflects the enduring power of the printed word. Jane O’Sullivan takes a closer look.
Radical Textiles, A new exhibition at the Art Gallery of South Australia, shows us how textiles evoke material memories while keeping the radical lineage of needle and thread alive.
In a new collaborative exhibition at PS Art Space, in partnership with Cool Change Contemporary, five artists with process-lead practices contemplate material ethics through actively engaging in slowness and reuse.
Trevor Vickers reflects on his six-decade career in hard-edged abstraction, the value that Perth’s light offers painters, and how his latest exhibition at Art Collective WA focuses on a series of quieter works.
Melbourne Art Fair has announced its 2025 line up, with 60 galleries and Indigenous art centres slated to feature alongside some major international commissions and public programs.
In her latest exhibition at THIS IS NO FANTASY, Ellen Dahl presents works from an ongoing photographic series that has captured many sites—from the Norwegian archipelago Svalbard to Tasmania—creating a dialogue between works that center place.
