Gail Mabo on a childhood of surveillance and familial connection
Gail Mabo’s latest, poignant exhibition tells the story of her mother and father, Dr Bonita Mabo and land rights activist Eddie Mabo, alongside recollections of childhood.
Gail Mabo’s latest, poignant exhibition tells the story of her mother and father, Dr Bonita Mabo and land rights activist Eddie Mabo, alongside recollections of childhood.
Arrernte and Kalkadoon artist Thea Anamara Perkins creates evocative portraits and landscape paintings exploring being a First Nations person in contemporary Australia. Her latest work Stockwoman is gracing the walls of Carriageworks for Sydney Festival, capturing her great-grandmother Hetty Perkins.
Niloufar Lovegrove’s beguiling prints at Artspace Mackay show a deft fusion of cultures that not only allows profound new perspectives on environmental crises, but is also a self-exploration.
From her feminist prints and posters of the 1970s to her later landscape paintings, Mandy Martin’s (1952-2021) retrospective at Geelong Gallery shows her long-term fight for the Australian environment.
Lee Alexander McQueen was born in 1968, so he was young in the 1980s, absorbing all the flashes of art, design and culture in which postmodernism flourished.
A renowned Australian painter, the many sides of Peter Booth have been unfolding since the 1960s in works of dark narrative. Now, a new survey at TarraWarra Museum of Art traces what Booth tells us about humanity.
In blazes of colours, images and fonts, Paul Yore’s installations and textiles are like nothing else. We asked Yore 20 quick questions on everything from censorship to tragi-comedy to Dolly Parton.
From sparkling seances to environmental care, Sydney Festival is back for the city’s summer crowds. With over 100 events across Sydney from 5 -29 January—including 18 world premieres and 14 Australian exclusives, from the city centre to Shoalhaven—here are our visual arts highlights.
From working with spider diviners to creating solarpowered hot air balloons, Tomás Saraceno’s exquisite art shows what we can learn from nature to rethink everything from climate change to wealth inequality.
For better or worse, data is intrinsic to modern life. In recent months with various data breach scandals, Australians have been reminded of its omnipresence— and in Data Relations at the Australian Centre for Contemporary Art, artists explore how data manifests both personally and societally.
In Equilibrium at Heide Museum of Modern Art is the first major survey exhibition of Barbara Hepworth’s work in Australia; its title alludes to Hepworth’s ability to meld empty space with solid form, texture and colour to create a unified whole.
In our latest podcast, Katie West talks about dyeing textiles, creating spaces of meditation, and facing experiences of racism—all in a conversation centred on care and creating, linking with the NETS Victoria touring exhibition, Notions of Care at Ararat Gallery TAMA.
Positioned on the edge of Sydney Harbour/Warrane, Ancient Feelings, a sculpture by British artist Thomas J Price, launches the Neil Balnaves Tallawoladah Lawn Commission, a three-year series of public artworks presented by the Museum of Contemporary Art Australia.
Georgie Mattingley’s exhibition Project Pine Gap explores the intelligence site Pine Gap, co-owned by the Australian Federal Government and the United States, questioning art’s capabilities and function within such institutions.
Telstra National Aboriginal and Torres Strait Islander Art Awards 2025 finalist Jennifer Kemarre Martiniello has spent decades crafting an art practice that weaves together memory, heritage and form.
The paintings of Betty Kuntiwa Pumani form a part of a larger, living archive on Antaṟa, her mother’s Country. More than maps, they speak to ancestral songlines, place and ceremony.
New South Wales-based artist Sophie Cape, has won the Hadley’s Art Prize for 2025. The winning piece, alongside the 28 finalists, will be on display at Hadley’s Orient Hotel, Hobart until 21 September.
For Lardil and Yangkaal writer and curator Maya Hodge, Archie Moore’s presentation at the 2024 Venice Biennale was a powerful symbol of reckoning—one that asks the world to bear witness to the long shadows of colonial violence and clears space for possibilities ahead. kith and kin is now on display at QAGOMA, Brisbane, until 18 October 2025.
