“Black and white photography has always been my…I suppose it’s just kind of my life,” says Mervyn Bishop on his 60-year photography practice.
In the group show The Other Portrait, at both UTS and SCA galleries, artists/curators Cherine Fahd and Julie Rrap explore the idea that ‘the other’ is always about the self.
Jennifer Keeler-Milne rediscovered her love of oil paint thanks to wattle, leaves, and lockdown. Autumn & Spring, at Australian Galleries in Sydney, is her first solo show of paintings in nearly a decade.
Ruth Höflich’s latest show, To Feed your Oracle at Linden New Art, started with research on magicians, but she prefers cunning and conjuring to magic.
As Mona celebrates its 10th anniversary, the gallery is strengthening its connection with Tasmanian locals and harking back to its beginning: a private art collection.
Linda Brescia chats about her C3West initiative Skirts, deciding in the shower to become a feminist artist, dressing-up as both a nude and a nun, and the desire to make ordinary women visible.
The NSW Government has committed $480-$500 million to renew the Powerhouse Museum Ultimo as the centre of a design and fashion hub.
Sally Rees celebrates the witchy magic of female ageing via the figure of the ‘crone’.
The growing cultural interest in art books reflects the enduring power of the printed word. Jane O’Sullivan takes a closer look.
Radical Textiles, A new exhibition at the Art Gallery of South Australia, shows us how textiles evoke material memories while keeping the radical lineage of needle and thread alive.
In a new collaborative exhibition at PS Art Space, in partnership with Cool Change Contemporary, five artists with process-lead practices contemplate material ethics through actively engaging in slowness and reuse.
Now showing at Home of the Arts (HOTA), the sophomore Gold Coast Triennial, Here and Now, brings together 42 contemporary artists to represent the depth and dynamism of the city’s artistic community.
Melbourne-born figurative artist and ceramicist Rob McHaffie takes a global view of human idiosyncrasy. His biggest exhibition to date, now showing at Bendigo Art Gallery, covers over a decade of his painting practice.
An exhibition at the Museum of Brisbane sheds a new light on Brisbane’s history, presenting a significant historical archive of photography alongside contemporary artists responding to the original source material.
