Ken Knight’s Frontier
For over four decades Ken Knight has painted en plein air, capturing landscapes in his impressionist style.
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For over four decades Ken Knight has painted en plein air, capturing landscapes in his impressionist style.
From her portrait of journalist and Manus Island detainee Behrouz Boochani to photographs of whistleblowers, Hoda Afshar gives us 21st-century images that speak to trauma, justice and humanity.
Black, white and red dominate the art of Jenna Lee, an artist who is a Gulumerridjin (Larrakia), Wardaman and Karrajarri Saltwater woman with mixed Japanese, Chinese, Filipino and Anglo-Australian ancestry. The artist reflects on five of her recent artworks, with exhibitions at Melbourne Art Fair, Pride Gallery and Koorie Heritage Trust.
In the past ten days Australia has lost two important artworld figures. Both were senior artists working in Adelaide but with a reach extending far beyond the city or the nation.
In Your choc-mint pelvik floor is so boring at Linden New Art, Anna Hoyle’s witty, colourful gouache paintings skewer advertising, self-help and consumer trends and culture.
The history of toys can tell us much about the history of people and culture. And by this logic, Toy Stories at Midland Junction Arts Centre reveals a pattern of improvisation, experimentation and ingenuity in Western Australia over the last century.
The inaugural show in the new custom-designed space for Science Gallery Melbourne, MENTAL: Head Inside, is a young person-led take on mental health featuring more than 20 interdisciplinary projects from around the globe.
Kate Bohunnis works both with and against what she calls the “tired traditions” of gender stereotypes, creating steel and textile sculptures that inhabit a liminal zone between artificially imposed binaries, now showing at COMA gallery.
With its lens aimed at the complexities of how we inhabit and perceive public space, ACCA’s new offering stretches from the gallery to the Melbourne suburbs, with a truly incredible program spanning exhibitions, performances, talks, meeting spaces and installations.
Based in Toronto, Anishinaabe artist Rebecca Belmore is showing her first Australian solo exhibition, creating acts of Indigenous resistance through art, language and bodies.
Contemplating First Nations art as a tool of resistance and as offering alternative versions of Australian history, Ever Present: First Peoples Art of Australia at AGWA covers enormous cultural territory, with more than 80 artists.
In Sydney, Manly Art Gallery & Museum, S.H. Ervin Gallery and Mosman Art Gallery have come together to explore how nine female artists reflect on and represent the natural world, from Robyn Stacey’s inversion of Brett Whiteley, to Joan Ross’s clever subversion of Sydney Harbour.
The growing cultural interest in art books reflects the enduring power of the printed word. Jane O’Sullivan takes a closer look.
Radical Textiles, A new exhibition at the Art Gallery of South Australia, shows us how textiles evoke material memories while keeping the radical lineage of needle and thread alive.
In a new collaborative exhibition at PS Art Space, in partnership with Cool Change Contemporary, five artists with process-lead practices contemplate material ethics through actively engaging in slowness and reuse.
Developed in 2022 by Artback NT as part of Apmere Mparntwe—the Australian Ceramics Triennale— touring exhibition Clay on Country, showing now at New England Regional Art Museum, showcases the diversity of ceramics in the Central Desert.
In The Rites of When, Angelica Mesiti considers the rituals that may mark the seasons in our burning planet. The Tank has been waiting for art like this.
Ahead of his major retrospective at Jan Murphy Gallery, Ben Quilty spoke with fellow painter Georgia Spain about wrestling with mythology, the contradictions of joy and suffering, and a belief in art as an antidote to an increasingly volatile world.
