Raymond Arnold Wins The Glover Prize 2017
Raymond Arnold has once again won The Glover Prize.
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Raymond Arnold has once again won The Glover Prize.
Leeroy New is making the framework for La Puerta Del Laberinto (The Door to the Labyrinth) at the La Trobe campus and will then transport it to Castlemaine ready to apply his magic with bounty from his tip-trawling.
Nigel Sense explores the what ‘art is…’ idea within the context of his own life.
To coincide with Melbourne Design Week, Sophie Gannon Gallery will present Designwork #1, an annual curated exhibition at the gallery’s Richmond premises.
Women in maritime history have something in common with the structure of icebergs. Their presence is marked only by what skims the surface. Explore the depths and the reality is clear: what we see is only part of the story.
Georgia O’Keeffe, Margaret Preston and Grace Cossington Smith were Making Modernism.
Sydney Ball was a guiding hand and mentor for the gallery and its younger artists, says Strumpf. “We loved him; he was part of our family. He was always there for counsel, and he forged some beautiful friendships with some of our artists.”
Rebecca Gallo spoke with Janet Dawson about her impressions of these major shows, her experience in a male-dominated art world, and the beauty and pleasure of good abstract art.
The idea of sleep as a communal activity, rather than a private daily obligation, is what underscores Matthew Bird’s interactive installation Dormitorium.
A sprawling exhibition sees 20 bronze sculptures by Rodin form the axis for a cross-historical dialogue on the body.
Charles Blackman’s well-known Schoolgirls paintings are coming together for the very first time.
A US-curated exhibition finds a home in Adelaide, where it examines the human impact on the world’s oceans.
Mundamurra Ngijinda Dulk—My Island Home at Cairns Art Gallery, is a landmark exhibition dedicated to the late Mirdidingkingathi Juwarnda Sally Gabori, one of the most singular voices in Australian contemporary painting.
Farrago, the University of Melbourne’s student union newspaper-turned-magazine celebrates a hundred years of publication. At a time when print publishing in the arts is under increasing pressure, The George Paton Gallery is exhibiting ‘Farrago 100 Years’, celebrating the editorial legacy and design innovation of the periodical.
In our ongoing series, Shelf Portraits, Art Guide writers recommend the books—recently published or deserving of more attention—that shed new light on an idea that has long simmered in the art world or has helped them see a familiar medium in a different light.
The paintings of Betty Kuntiwa Pumani form a part of a larger, living archive on Antaṟa, her mother’s Country. More than maps, they speak to ancestral songlines, place and ceremony.
Auckland-born and raised artist Lisa Reihana is ever the optimist, creating two new works signifying social cohesion to hang outside two Australian arts venues—Ngununggula, and Sydney Contemporary at Carriageworks —just as dark divisions seek to undermine the value of migration and Indigenous sovereignty.
Curators Martyn Jolly and Tony Oates’ Light Source, brings together ten artists whose work incorporates combinations of light projection and performance at Drill Hall Gallery in Canberra.
