Joseph Kosuth: A Short History of My Thought
American artist Joseph Kosuth once said of his work, “All I make are models. The actual works of art are ideas.”
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American artist Joseph Kosuth once said of his work, “All I make are models. The actual works of art are ideas.”
Sound, public spaces, collaboration and inclusivity are common hallmarks of the separate artworks created by Julian Day and Sasha Grbich, the two recipients of the 2018 Anne & Gordon Samstag International Visual Arts Scholarship from the University of South Australia.
The desperate days following the 1629 wreck of the Batavia are a nightmarish chapter in Western Australian history.
After Utopia: Revisiting the Ideal in Asian Contemporary Art, currently showing at the Samstag Museum of Art as part of this year’s OzAsia Festival, has been co-curated by Siuli Tan and Louis Ho from Singapore Art Museum (SAM)
When we experience art it is often a case of look but don’t touch. The group exhibition Ex Machina turns this notion on its head and presents a refreshing critique of the role of technology in artistic experience.
Unbeknownst to many, Australian artist Andrew Rogers is leaving an immense mark across the world.
Queensland Art Gallery has reconsidered its curatorial approach to Australian art, combining Indigenous and non-Indigenous art in the same space.
Dale Harding graduated from the Queensland College of Art in 2014, yet his opportunities and achievements since speak to a much longer practice, indeed a “cultural continuum” to which he is connected through country.
An exhibition at the JamFactory presents striking examples of contemporary Indigenous design. Many of the works are the product of collaborations and partnerships forged.
“The more we understand the better we can participate in society”. These words, which greet visitors to Kader Attia’s solo show at the MCA, perfectly sum up the overarching themes of the French-Algerian artist’s project.
Congratulations to Evan Pank for winning first prize in the 2017 Fremantle Arts Centre (FAC) Print Award. The Sydney-based artist took out the $16,000 acquisitive award with his screen-printed and spray-painted work, Keeping the Bastards Honest, 2016.
Even though Chinese-Australian artist Lindy Lee has changed and refined her art practice over time there are certain themes that continually pervade her work. [+ Podcast]
The growing cultural interest in art books reflects the enduring power of the printed word. Jane O’Sullivan takes a closer look.
Radical Textiles, A new exhibition at the Art Gallery of South Australia, shows us how textiles evoke material memories while keeping the radical lineage of needle and thread alive.
In a new collaborative exhibition at PS Art Space, in partnership with Cool Change Contemporary, five artists with process-lead practices contemplate material ethics through actively engaging in slowness and reuse.
In an expansive show at the Chau Chak Wing Museum, seven leading Australian ceramic artists have reinvigorated one of Australia’s oldest museum collections by creating a contemporary potter’s quarter—known as the ‘kerameikos’ in Ancient Greece.
Ahead of his major retrospective at Jan Murphy Gallery, Ben Quilty spoke with fellow painter Georgia Spain about wrestling with mythology, the contradictions of joy and suffering, and a belief in art as an antidote to an increasingly volatile world.
Anador Walsh reviews Ivan Cheng’s performance exhibition NP at Monash University Museum of Art—a three-day project, made in collaboration with a group of Year 11 students, that explores the loss of childhood innocence and role of documentation in performance.
