Lucreccia Quintanilla: A Ripple and an Echo
Looking at the way sound and music can influence art making and storytelling, Lucreccia Quintanilla highlights the sounds of nature within the urban environment of Melbourne.
Looking at the way sound and music can influence art making and storytelling, Lucreccia Quintanilla highlights the sounds of nature within the urban environment of Melbourne.
The Margaret Olley survey show at Queensland Art Gallery | Gallery of Modern Art (QAGOMA) is subtitled A Generous Life, but it could just as easily have been called Margaret Olley: Rebel.
Sally Robinson has won the 2019 Portia Geach Memorial Award. The Sydney-based artist took out the $30,000 portrait painting prize for women with her self-portrait titled Body in a box.
Bauhaus Now! at Buxton Contemporary looks at the contemporary legacy of the Bauhaus and its Australian trajectory; aiming to reflect its radical, collectivist and mystical ideals.
From Carolee Schneemann and Dieter Roth to Karla Dickens and Paul Yore, The Abyss takes a deep dive into art that disrupts and confronts, carving space for incongruencies to co-exist.
Far from being a clunky display of papier-mâché heads and oil paintings of flowers, the contemporary Year 12 art exhibition incorporates multiple artforms produced with impressive technical skill.
Through a range of forms including sculpture and video, four artists from East Asia, Australia and New Zealand look at surveillance, artificial intelligence and the economies that drive, and are driven by, the global technology market.
Zoe Freney spoke to Freeman about her interest in everyday objects of mourning and loss, the ability of clay to hold memories, and her use of the brittle poetry of ceramics to create vessels that hold time, space, legends and tears.
The Indigenous artist took out the annual $100,000 prize for landscape painting with his densely layered canvas titled Four Dreamings.
“I am most interested in working collaboratively and closely with artists to develop their ideas and to give them a platform to experiment and create new works or new experiences through their work.” – Museum of Contemporary Art Australia Curator Anna Davis.
Delving into the archives at State Library of Victoria, Höflich will research magical practices as ways of measuring and predicting, in response to a culture shaped by digital algorithms.
Colour is simultaneously the most apparent and most complex part of Gemma Smith’s practice. The artist, who has a penchant for abstraction, creates paintings that capture dialogues and interactions between colours.
Positioned on the edge of Sydney Harbour/Warrane, Ancient Feelings, a sculpture by British artist Thomas J Price, launches the Neil Balnaves Tallawoladah Lawn Commission, a three-year series of public artworks presented by the Museum of Contemporary Art Australia.
Georgie Mattingley’s exhibition Project Pine Gap explores the intelligence site Pine Gap, co-owned by the Australian Federal Government and the United States, questioning art’s capabilities and function within such institutions.
Telstra National Aboriginal and Torres Strait Islander Art Awards 2025 finalist Jennifer Kemarre Martiniello has spent decades crafting an art practice that weaves together memory, heritage and form.
to come together as water is the most recent iteration of Blue Assembly—the University of Queensland Art Museum’s multi-year project exploring our relationship to the ocean. Curated by Freja Carmichael, it calls for First Nations sovereignty over waterways.
A search for beauty is behind Skin tight, the first solo exhibition in Australia for the American artist Tschabalala Self, whose works (on view at ACCA) seek to alter the power dynamic between viewer and subject.
In its 24th year, Australia’s most prestigious award for small-scale sculpture has announced its winners for 2025, with the 54 finalists now on display at Woollahra Gallery at Redleaf.
