The initial inspiration for the exhibition was the desire to create discord with the material properties of the Casula Powerhouse Arts Centre, where this touring show was first presented.
Yes yes yes yes at the Art Gallery of New South Wales is a timely injection of positivity via the decade of change.
“Painting is something that I am endlessly challenged and fascinated by. And I struggle with it,” Maestri says.
The APY Art Centre Collective is an organisation that supports 10 Indigenous owned and governed enterprises who work from the APY Lands in northern South Australia.
Artbank opens their new premises in Collingwood, Melbourne.
Conjoined mouths. The Sydney Opera House. At the Biennale of Sydney, artist Oliver Beer uses unorthodox instruments to explore sound.
Melbourne-based artist Gail Hastings won the $25,000 established artist category with her mixed media drawing colour circle: four colour scheme for a room, 2018. Sydney-based emerging artist Adrian McDonald was awarded $10,000 for his painting, Approximating a Circle, 2018.
Recently Withey’s practice has focused on the environment and how the human presence effects it.
Robert Smithson: Time Crystals is not an exhibition that you can take in on opening night.
Five days before the world premiere of Soda_Jerk’s new film-based work, TERROR NULLIUS, the Ian Potter Cultural Trust withdrew its support of the project and requested not to be included in any promotional material surrounding the event.
Infused with urban life, Tanya Goel’s works reference both weaving and the screen, mathematics and memory.
At the helm of the 21st Biennale of Sydney, artistic director Mami Kataoka dives into the archives, calls on her ‘brother’ and puts art activism into perspective.
In this first series of Five on Five we’re asking five painters to speak about a painting that has influenced, inspired or resonated with them. In this episode Kate Beynon reflects on The Creation of the Birds (1958) by Spanish artist Remedios Varo.
New Zealand-born, Melbourne-based artist Ronnie van Hout has made a name for himself with works that are perplexing, outlandish and disruptive.
The evolving collective this mob, founded by Kate ten Buuren, creates a nurturing and deadly space for Blak artists.
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