Feature
Flow of Language, Flow of Life
Why Joi T. Arcand wants you to learn the Cree language.
Steve Dow
Archive
Preview
David Keeling paints landscapes he’s familiar with in Stranger
Stranger, at the Tasmanian Museum and Art Gallery (TMAG), is a survey show which offers an insight into the way David Keeling sees Tasmania.
Briony Downes
Archive
Preview
Private life, public face—how a portrait is made
At the National Portrait Gallery, Before hand: the private life of the portrait delves into the back-stories of how subject and artist come together to make a work.
Andrew Stephens
Archive
Preview
A line, a curve, a river, a song
With organza, tulle, empty photo frames and ash, Sonja Porcaro gently peels back the divergent histories of Sauerbier House and Ngangkiparinga, the adjacent saltwater river.
Victoria Perin
Archive
Preview
Make the World Again
Weaving is synonymous with world-making. In numerous cultures, the loom is a metaphor for creation; a person’s life often represented by a spun thread.
Anna Dunnill
Archive
Preview
Constructing Landscape presents urban visions in the bush
Constructing Landscape: urban visions reflects a new chapter in the nation’s consideration of how the urban environment might be represented.
Barnaby Smith
Archive
Preview
Why do we love lawn?
The Blade explores the Australian history of lawn from kangaroo grass to the footy field; the scythe to the electric mower; the suburban Hills Hoist to the sweeping verdure of state buildings.
Anna Dunnill
Archive
Feature
Child and Mother
Developed by the Dax Centre, an institution which focuses on using art to reduce the stigma surrounding mental health issues, Child and Mother is an exhibition reflecting on childhood trauma, motherhood and the relationships we form.
Briony Downes
Archive
Preview
A powerful alchemy
Featuring Aboriginal artists Judy Watson and Yhonnie Scarce, Looking Glass brings together beautiful objects with a sting in the tail.
Timmah Ball
Archive
Preview
New for Old
Wrestling with both excessive consumption and planned obsolescence in technology, New for Old takes as its starting point the cathode-ray tube TV.
Tracey Clement
Archive
Feature
The Past Imperfect
Megan Evans challenges the privileges enshrined by whiteness while untangling the complexities of living on stolen land.
Neha Kale
Archive
Feature
Local talent shines in Sydney Festival 2021
This year’s Sydney Festival has defied the odds, opening with a focus on an entirely ‘Australian Made’ program.
Steve Dow
Archive
