Contributor Tiarney Miekus is an editor at Art Guide Australia and a Melbourne-based writer whose work has also appeared in The Age, The Australian, un Magazine, Meanjin, RealTime, Overland and The Lifted Brow (Online). She is the producer of the Art Guide Australia podcast.
With a 50-year practice exploring her Chinese heritage, longing and belonging, Zen spiritualism and the endless nature of being, Lindy Lee is now unveiling the pinnacle of her art.
Since the 1980s Pat Brassington’s images have entranced the psyche of contemporary Australian art. With a new solo exhibition at Bett Gallery, Brassington gives a rare interview talking about studying art in her thirties, psychoanalysis, and discovering feminism through a wives’ book club.
Celebrating its 50th anniversary, Arts Project Australia continues to support and advocate for artists with an intellectual disability—while making the art world rethink its most basic assumptions.
In a rare interview, alongside her showing in the 24th Biennale of Sydney, Tracey Moffatt talks about her penchant for the staged and surreal, going beyond identity, growing up in Brisbane and moving to New York in her thirties, and the importance of imagination.
In our special interview with the one-and-only Marina Abramović, ahead of her curatorial project at Adelaide Festival, she talks on almost 60 years of performance art, wanting a one-way ticket into space, and answers a question about her most famous performance that no-one has asked before.
From art crushes to parenting to why she largely uses black-and-white images, we caught up with Gunditjmara artist Hayley Millar Baker to ask 20 quick questions about her 2022 survey show at Flinders University Museum of Art, and how her images speak to Aboriginal experiences and memory.
Meaning lies somewhere between humour, absurdity, and mortality in Brent Harris’s paintings and prints. With a recent survey in New Zealand, Harris is now exhibiting with an Australian showing of 40 years of work, titled Surrender & Catch, currently at TarraWarra Museum of Art.
Since the 1960s Mike Parr has been defining performance art. Known for his performances of extremis, from hacking off a fake arm to burying himself underneath a Tasmanian road for three days. With a new, three-part exhibition at Anna Schwartz Gallery, Parr talks about catharsis, the institutionalisation of performance art, and the motivations behind what he does.
Within her warehouse studio in the industrial area of Coburg North, Melbourne, with her dog Merri in tow, Isadora Vaughan creates sculptural installations that sustain a visceral tension between incongruent materials and forms. Her work is showing at STATION Gallery Melbourne.
With vivid new paintings and sculptures at Tolarno Galleries, Brendan Huntley talks about his use of colour, capturing energy, and the nature of creating.
Sancintya Mohini Simpson is a descendant of indentured labourers sent from India to work on colonial sugar plantations in South Africa—and her art, showing at Perth Institute for Contemporary Arts, is entwined with this history.
For almost 40 years, Keerray Woorroong Gunditjmara woman Vicki Couzens has worked in the Aboriginal community, profoundly changing the cultural landscape around her. She talks about making “creative cultural expression” rather than “art”, alongside her new collaboration at Buxton Contemporary.
