Tiarney Miekus is an editor at Art Guide Australia and a Melbourne-based writer whose work has also appeared in The Age, The Australian, un Magazine, Meanjin, RealTime, Overland and The Lifted Brow (Online). She is the producer of the Art Guide Australia podcast.
Co-curated by SAM’s Anna Briers and Rebecca Coates, Craftivism features 18 Australian artists who share an affinity for craft-based art with political gestures.
Drawing upon passing scenes from life, and filled with allusions to pop culture, Anne Wallace’s realist paintings deliver images that flitter between intimate and suspenseful.
Barbara Cleveland is a mythic persona reclaimed from 1970s Australian art history. A new retrospective explores her ‘forgotten’ life and practice—which is to say, the forgotten practices of non-male creatives at large.
Hosted by Shepparton Art Museum (SAM), Sarah crowEST’s newest piece Sound Seen is currently online.
Curated by the Ballarat International Foto Biennale, the Mass Isolation project asks viewers in Australia, and most pertinently, at least right now, in Melbourne, to share their photographs of self-isolation with the tags #massisolation and #massisolationAUS.
Ann Debono’s layered paintings ask how time is experienced through historical artefacts and sites.
For over 60 years John Wolseley has been visiting, capturing and sharing his experience of landscapes. But what does it mean to create and innovate over six decades?
In ACE Open’s 2020 South Australian Artist Survey If the future is to be worth anything, the Adelaide-based contemporary art gallery invited artists and collectives to create new work, embarking upon unrealised projects.
Neighbour – a friendly, flirty chat bot who is centred on uncovering one potent question: how does it feel?
The 2022 Biennale of Sydney is tipped to focus on sustainability and collaboration, with Colombian curator José Roca leading the way.
Piccinini places human and non-human creatures in relationships that are as loving and empathic as they are unnerving.
Porcelain, fur, paraffin wax, silk, resin, glass, bones, fox and rabbit pelt, Tibetan gazelle horns: these are just some of the materials Juz Kitson uses to create her highly tactile, creature-like sculptural forms.
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