Tiarney Miekus is a Melbourne-based writer whose work has appeared in un Magazine, RealTime, Overland and The Lifted Brow. She is the producer of the Art Guide Australia podcast.
Despite being a multidisciplinary artist, Griggs is primarily known for his vivid and chaotic portraits.
Milan Milojevic threads wild landscapes with the richness of altered fauna, flora and mythological creatures. His newest exhibition converges on one visual motif: the waterfall.
For David Hurlston curating is both a conceptual and physical process: he’s concerned with how viewers move through gallery spaces and how they read artworks. “It’s just about making a really tangible and interesting and educative experience, and I think that happens in the real world, in the real space,” he says.
Along with being an independent curator, Butler is a Filipino-Australian writer and artist who continuously looks at the dynamics of power, systemic racism and racial hierarchies within a contemporary art context.
In two new projects, Julie Gough continues her excavation of Tasmania’s First Nation history and the impact of colonisation.
Encompassing both created and found objects, jewellery, film, images, installation and sculpture, no surface holds marks the first time Catherine Truman’s science-influenced works have been brought together.
The winner of the 2019 Telstra Art Award is Djambawa Marawili AM with his work Journey to America.
“Each curator is unique like every artist is unique, I believe,” says Nici Cumpston, a leader in the Australian arts who holds the dual positions of Curator of Aboriginal and Torres Strait Islander Art at the Art Gallery of South Australia and Artistic Director of the annual TARNANTHI festival.
Bauhaus Now! at Buxton Contemporary looks at the contemporary legacy of the Bauhaus and its Australian trajectory; aiming to reflect its radical, collectivist and mystical ideals.
“I am most interested in working collaboratively and closely with artists to develop their ideas and to give them a platform to experiment and create new works or new experiences through their work.” – Museum of Contemporary Art Australia Curator Anna Davis.
Colour is simultaneously the most apparent and most complex part of Gemma Smith’s practice. The artist, who has a penchant for abstraction, creates paintings that capture dialogues and interactions between colours.
Tiarney Miekus, host and producer of Art Guide Australia’s podcast, suggests a range of podcasts on art, perfect for those who want to listen as well as look.
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