Steve Dow is a Melbourne-born, Sydney-based arts writer, whose profiles, essays, previews and reviews range across the visual arts, theatre, film and television for The Saturday Paper, Guardian Australia, The Monthly, the Sydney Morning Herald, The Age, Sunday Life, Limelight and VAULT.
Chiharu Shiota returns, interlacing thread to form a phenomenal room-sized installation at the Art Gallery of South Australia.
The Centre for Contemporary Photography (CCP) in Melbourne has appointed Adam Harding as its new director. Community engagement and artists having a voice are two CCP strengths Harding is keen to continue.
As part of a new exhibition, State of the Union, which explores partnerships between trade unions and arts workers, a group of Melbourne artists has launched a project to expose exploitation in the arts in Australia.
GAG Projects presents four compelling artists in this year’s South Australian Living Artists Festival.
Wiradjuri artist Amala Groom spent five years advocating for First Peoples’ rights and freedoms at the United Nations in New York and Geneva.
The 4A Centre for Contemporary Asian Art teamed Sydney-born artist Jason Phu with Hong Kong-born artist John Young Zerunge to take a fresh look at the 19th century riots on Australia’s goldfields, where resentment at Chinese miners boiled over.
French artists Fabien Giraud and Raphaël Siboni speculate on the future of us, and the solar system, in a two part special at Mona.
The exhibition With Seeing Hands features contributions from seven mostly Melbourne-based artists, some of whom identify as having sensory or mobility disabilities.
At the helm of the 21st Biennale of Sydney, artistic director Mami Kataoka dives into the archives, calls on her ‘brother’ and puts art activism into perspective.
Like many artists of his generation, Ian Howard was politicised during the Vietnam War. But to call his art anti-war is too simplistic, as Steve Dow discovers speaking to Howard while the artist prepares his latest exhibition.
A collaboration between Sydney’s Artspace and London’s Institute of Contemporary Art – Helen Johnson’s Warm Ties paints a confronting picture of Australia’s colonial legacy.
Ray Hughes was a legend of the Sydney art world with his loud ties, an assortment of hats, and a penchant for corduroy, as well as the services of a Beijing suit tailor of dubious taste.
