The Sounds of Pacing fills new gallery Conners Conners
Sounds of Pacing places early-career artists in lively conversation with each other.
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Sounds of Pacing places early-career artists in lively conversation with each other.
Kate Baker is known for works which combine glass and photographic processes to poetic effect.
Phaptawan Suwannakudt brings Thailand’s Wat Pho temple to Australia through her multi-sensory installation Knowledge in your hands, eyes and mind at the Arts Centre Melbourne as part of Asia TOPA: Asia-Pacific Triennial of Performing Arts.
Yhonnie Scarce has been awarded the second Yalingwa Fellowship, an initiative designed to foster career development opportunities for Aboriginal and Torres Strait Islander visual artists living and working in Victoria.
Even Agatha Gothe-Snape struggles to define her art.
As an abstract painter with an enduring interest in modernism, John Nixon has always enjoyed exploring and absorbing material from allied fields.
“Without science we would not understand the body, without the body fashion would not become alive and without art, how can we express the bodies we have?”
Creating a kaleidoscopic vision of Australia, John Prince Siddon’s works dance on the edges.
Corbett’s art making began 20 years ago on the grounds of his former car-wrecking business.
After years of imbalance, the time has finally come for the arts sector to achieve greater gender equality. But will it be more than a hashtag?
Melbourne photographer Atong Atem is known for bright, highly patterned tableaux, shot like traditional studio portraits. In her latest series, Portals, she strips away the colour and presents a more intimate view of her subjects.
Debra Porch’s posthumous exhibition reminded me of a piece of graffiti I saw on the back of a toilet stall door a few years ago.
The paintings of Betty Kuntiwa Pumani form a part of a larger, living archive on Antaṟa, her mother’s Country. More than maps, they speak to ancestral songlines, place and ceremony.
A presentation of works by Robert Mapplethorpe curated by the British editor Edward Enninful, Enninful x Mapplethorpe, at the 2025 Ballarat International Foto Biennale, finds resonance in opposites while turning binary thinking on its head.
Auckland-born and raised artist Lisa Reihana is ever the optimist, creating two new works signifying social cohesion to hang outside two Australian arts venues—Ngununggula, and Sydney Contemporary at Carriageworks —just as dark divisions seek to undermine the value of migration and Indigenous sovereignty.
Curators Martyn Jolly and Tony Oates’ Light Source, brings together ten artists whose work incorporates combinations of light projection and performance at Drill Hall Gallery in Canberra.
In its 18th year, the National Photographic Portrait Prize celebrates photographic portraiture from emerging and established artists, highlighting what it means to be Australian, through photographs of its people.
In the cavernous spaces of Hobart’s Museum of Old and New Art, the large-scale kinetic sculptures of Arcangelo Sassolino are teetering on the brink.
