Enduring Beauty
Shell stringing is not only women’s business – it’s a defining, unbroken tradition for Tasmanian Aboriginals.
Shell stringing is not only women’s business – it’s a defining, unbroken tradition for Tasmanian Aboriginals.
As of Wednesday 25 March 2020 all galleries and museums Australia-wide will be closed, adhering to COVID-19 restrictions from the federal government. During this time Art Guide Australia will continue to publish and share the art, stories and ideas of artists across the country.
Outside Painting explores the messy boundaries between life and art.
For Fiona Hall, the things we throw away aren’t empty of meaning.
As artistic director of NIRIN, the 22nd Biennale of Sydney, artist Brook Andrew is bringing together over 90 artists, creatives, collectives and communities from Australia and across the globe.
Anthea da Silva has taken out the inaugural $75,000 prize with her portrait of Elizabeth Cameron Dalman OAM, founder of the Australian Dance Theatre.
Fraser Anderson conjures a retreat for our inner gremlins.
Rite of Passage is an exhibition that has been in gestation for hundreds of years and the majority of curator Shannon Brett’s career.
Sydney-based Worimi artist Dean Cross joins a long line of artists for whom the car is a semi-scared symbolic object, both totem and omen.
Is it possible to separate the art from the artist?
Tāmaki Makaurau/Auckland-based artist John Vea’s show at 4A Centre for Contemporary Asian Art is both provocative and elegant.
For Isobel Knowles and Van Sowerwine the still-nascent artistic medium of virtual reality (VR) is the perfect fit for exploring themes of dislocation, disorientation, alienation and culture shock.
Positioned on the edge of Sydney Harbour/Warrane, Ancient Feelings, a sculpture by British artist Thomas J Price, launches the Neil Balnaves Tallawoladah Lawn Commission, a three-year series of public artworks presented by the Museum of Contemporary Art Australia.
Georgie Mattingley’s exhibition Project Pine Gap explores the intelligence site Pine Gap, co-owned by the Australian Federal Government and the United States, questioning art’s capabilities and function within such institutions.
Telstra National Aboriginal and Torres Strait Islander Art Awards 2025 finalist Jennifer Kemarre Martiniello has spent decades crafting an art practice that weaves together memory, heritage and form.
Offering a “new kind of hope,” Jacobus Capone’s solo show, End & Being, is the inaugural exhibition at the National Centre for Environmental Arts in Halls Gap.
to come together as water is the most recent iteration of Blue Assembly—the University of Queensland Art Museum’s multi-year project exploring our relationship to the ocean. Curated by Freja Carmichael, it calls for First Nations sovereignty over waterways.
Embodied, the first iteration of Arts Project Australia’s new exhibition series, Limitless, sees artists Bronwyn Hack and Mark Smith create their most ambitious works yet, with the body at the centre of it all.
