Jacinta Giles transforms media information overload into art
Our 24-hour news cycle and click-driven media landscape can be exhausting, yet experimental photographer Jacinta Giles is channelling this reliance on news into art.
Our 24-hour news cycle and click-driven media landscape can be exhausting, yet experimental photographer Jacinta Giles is channelling this reliance on news into art.
Through the medium of sound and the act of listening, Lawrence English mines power and control.
Across the country some galleries are open, while others have had to close, but the online sphere remains absolutely jam-packed with art content, from dedicated online exhibitions and art lessons to behind-the-scenes access to collections. Tracey Clement has handpicked a few online excursions that we can all take, no matter where we are.
Channelling healing and transformation, the moment has never been more timely for Hiromi Tango’s emotive creations.
Cooking food and making art both require skill and imagination. In the third part of Art Guide’s Kitchen Creation series, artists Cigdem Aydemir, Ellen Dahl and Sebastian Moody share some of their favourite recipes and talk to Tracey Clement about the creativity of cooking.
William Yang has sent us snaps of his life in Sydney, capturing his shrines and studio, and small ephemera from his day-to-day.
Lightning bolts, smiley faces, Buddhism and rock’n’roll: Nell draws on a catalogue of symbols to conjure the moments where language fails.
Thanks to countless sitcoms, the nuanced realities of office work are common knowledge. Not so with agriculture.
Light and space are key concerns in Roger Byrt’s paintings which emit radiance and engross the viewer through upheavals of perspective.
Despite being in the middle of a pandemic, Daniel Boyd’s schedule is full to the brim.
Living on a cattle farm south of Perth with his family, Abdul-Rahman Abdullah explores family, history and memory.
The Perth Institute of Contemporary Arts has reopened its doors with Hatched 2020 National Graduate Show.
Positioned on the edge of Sydney Harbour/Warrane, Ancient Feelings, a sculpture by British artist Thomas J Price, launches the Neil Balnaves Tallawoladah Lawn Commission, a three-year series of public artworks presented by the Museum of Contemporary Art Australia.
Georgie Mattingley’s exhibition Project Pine Gap explores the intelligence site Pine Gap, co-owned by the Australian Federal Government and the United States, questioning art’s capabilities and function within such institutions.
Telstra National Aboriginal and Torres Strait Islander Art Awards 2025 finalist Jennifer Kemarre Martiniello has spent decades crafting an art practice that weaves together memory, heritage and form.
An exhibition of newly commissioned works at the National Art School gallery in Sydney brings to light the historic and ongoing ties between Indigenous and Asian-Australian communities.
For Listening Acts at the Now or Never Festival, the music and performance company Chamber Made invited artists to interrogate the intersection between the body, listening and technology.
In the paintings of Yugambeh poet and artist Lionel Fogarty, dynamic words spill across the canvas and suggest a new way of reading, writing and approaching poetry in his new solo show, Burraloupoo at Darren Knight Gallery in Sydney.
