Nicola Moss: Greenspace
Nicola Moss’s collaged works represent a soulful and civic-minded inquiry into the importance of green spaces amid congested urban environments.
Advertisement
Advertisement
Nicola Moss’s collaged works represent a soulful and civic-minded inquiry into the importance of green spaces amid congested urban environments.
Destination Sydney re-imagined, the second iteration of a concept which debuted in 2015, is a showcase for significant Sydney-based artists with decades of practice behind them.
The first Sanaa Festival was held in Adelaide in 2017. This year, six African artists are being flown to Australia and more will have work in the Sanaa Exhibition, which is part of the Adelaide Fringe festival.
A capsule collection of the National Palace Museum’s priceless art and artefacts captures the essence of Chinese culture.
Thirty years ago in Beijing, on the eve of Chinese New Year, contemporary Chinese artist Xiao Lu made her artistic debut by firing a shotgun at her installation Dialogue.
An exhibition with a focus on how Tasmanian Aboriginals were depicted by colonial-era artists during the time of The Black War in the 1800s, The National Picture reveals the lasting impact visual art can have on our understanding of history.
Sherbet pink, spray painted white, scribbles and muted text are some of the colours and images that dance across the canvases of Sarah crowEST’s recent paintings.
Japanese artist Takehito Koganezawa joins Mira Gojak in taking an expanded look at drawing, setting it free with film and movement.
Superficially at least, one thing that seems to link the wildly disparate photos, drawings, videos, paintings, sculpture and prints in Obsession: Devil in the detail – across both time and genres – is time-consuming labour.
To enter Toby Ziegler’s solo exhibition at Mona, Your Shadow Rising, visitors must draw back a curtain and step into the gallery space.
Open Window, an exhibition by the artist collective Gavin Bell, Jarrah de Kuijer and Simon McGlinn at West Space in Melbourne, consisted of altered interior architecture, sculptures and wall works.
Quiet and considered movement and gesture pervade Gabriella and Silvana Mangano’s lyrical, mainly video based, practice.
65,000 Years: A Short History of Australian Art is an extraordinary account of the unique art of this continent, published alongside a landmark exhibition at the Potter Museum of Art. Necessary and urgent, it tells the story of Indigenous Australian art; a new art history unlike anything we’ve seen. For Jane O’Sullivan, it’s a remarkable and must-read book.
In a new series of illustrated postcards available as a free gift with purchase only at the Art Guide Bookstore, Oslo Davis takes on classic and contemporary art terms and genres and reimagines what they could be referring to.
With so much to choose from, we’ve rounded up the major summer exhibitions in each capital city, open all summer long. Spanning Yayoi Kusama, Magritte, the Asia Pacific Triennial of Contemporary Art, and many more.
In a new collaborative exhibition at PS Art Space, in partnership with Cool Change Contemporary, five artists with process-lead practices contemplate material ethics through actively engaging in slowness and reuse.
Josina Pumani’s electric ceramic work Maralinga—recently recognised at the National Aboriginal and Torres Strait Islander Art Awards— deftly excavates a long-hidden past.
About Face is a smart piece of marketing. The new book on portrait painting from Australia and New Zealand has a mission to change buyers’ minds about the field. But as Jane O’Sullivan discovers, any sales pitch wears thin if it’s repeated often enough, and the close attention to how portrait painting is received by the market means that other important conversations fade to the background.
