Nicola Moss: Greenspace
Nicola Moss’s collaged works represent a soulful and civic-minded inquiry into the importance of green spaces amid congested urban environments.
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Nicola Moss’s collaged works represent a soulful and civic-minded inquiry into the importance of green spaces amid congested urban environments.
Destination Sydney re-imagined, the second iteration of a concept which debuted in 2015, is a showcase for significant Sydney-based artists with decades of practice behind them.
The first Sanaa Festival was held in Adelaide in 2017. This year, six African artists are being flown to Australia and more will have work in the Sanaa Exhibition, which is part of the Adelaide Fringe festival.
A capsule collection of the National Palace Museum’s priceless art and artefacts captures the essence of Chinese culture.
Thirty years ago in Beijing, on the eve of Chinese New Year, contemporary Chinese artist Xiao Lu made her artistic debut by firing a shotgun at her installation Dialogue.
An exhibition with a focus on how Tasmanian Aboriginals were depicted by colonial-era artists during the time of The Black War in the 1800s, The National Picture reveals the lasting impact visual art can have on our understanding of history.
Sherbet pink, spray painted white, scribbles and muted text are some of the colours and images that dance across the canvases of Sarah crowEST’s recent paintings.
Japanese artist Takehito Koganezawa joins Mira Gojak in taking an expanded look at drawing, setting it free with film and movement.
Superficially at least, one thing that seems to link the wildly disparate photos, drawings, videos, paintings, sculpture and prints in Obsession: Devil in the detail – across both time and genres – is time-consuming labour.
To enter Toby Ziegler’s solo exhibition at Mona, Your Shadow Rising, visitors must draw back a curtain and step into the gallery space.
Open Window, an exhibition by the artist collective Gavin Bell, Jarrah de Kuijer and Simon McGlinn at West Space in Melbourne, consisted of altered interior architecture, sculptures and wall works.
Quiet and considered movement and gesture pervade Gabriella and Silvana Mangano’s lyrical, mainly video based, practice.
The growing cultural interest in art books reflects the enduring power of the printed word. Jane O’Sullivan takes a closer look.
Radical Textiles, A new exhibition at the Art Gallery of South Australia, shows us how textiles evoke material memories while keeping the radical lineage of needle and thread alive.
In a new collaborative exhibition at PS Art Space, in partnership with Cool Change Contemporary, five artists with process-lead practices contemplate material ethics through actively engaging in slowness and reuse.
Curated by Lee Kinsella, Stuffed, Bolstered and Upholstered—on now at Lawrence Wilson Art Gallery—looks at how woven and fibre objects align with the human form, encompassing the practices of over thirty artists working across textiles, painting, ceramics, sculpture and installation.
Emma Phillips has a knack for catching moments of unbridled humanity. In her latest exhibition at ReadingRoom, she shines a light on the breadth of her practice, amalgamating several projects from the last decade.
In her latest exhibition at THIS IS NO FANTASY, Ellen Dahl presents works from an ongoing photographic series that has captured many sites—from the Norwegian archipelago Svalbard to Tasmania—creating a dialogue between works that center place.
