First Nations artists declare Ngaliya Diyam – we are here
The new Granville Centre Art Gallery in western Sydney opens this month with a resounding statement of First Nations strength and solidarity.
The new Granville Centre Art Gallery in western Sydney opens this month with a resounding statement of First Nations strength and solidarity.
Turning 30 is a major milestone, well worth celebrating. So Linden New Art is throwing an online party to mark three decades of their annual award exhibition, the Linden Postcard Show.
When Vincent Namatjira won the 2020 Archibald Prize for portraiture for Stand strong for who you are, his painting of AFL player Adam Goodes, there was a widely held feeling that justice had been done.
Indigenous geometry, hip-hop and road movies—welcome to the art of Reko Rennie.
Tinged with sadness and a wicked sense of humour, Karla Dickens creates art that speaks of identity, discrimination and acts of violence against Aboriginal people. In our interview, Dickens talks about creating new work, her hometown of Lismore, and the importance of writing poetry.
A new sculpture exhibition considers how our experience of space is psychological, cultural and surreal.
Thompson, who got her start at the Aboriginal owned and operated art centre Ernabella Arts in the APY Lands, is an artist who effortlessly works across multiple mediums including painting, printmaking, wood carving, ceramics and fibre-based works.
Symbiosis, the inaugural Bankstown Biennale, has appropriately been assembled by two curators working in tandem, Vandana Ram and Heidi Axelsen, who have brought together the work of 20 Australian artists and writers.
Opening up 50 years of contemporary art at Mornington Peninsula Regional Gallery.
Barbara Cleveland is a mythic persona reclaimed from 1970s Australian art history. A new retrospective explores her ‘forgotten’ life and practice—which is to say, the forgotten practices of non-male creatives at large.
Artist and ‘feral trader’ Kate Rich asks: how can artists shake up business as usual?
holemtaet hemia (hold this/ hold this tightly) is a new solo exhibition from Shari O’Dwyer at The Condensery, Toogoolawah, Queensland, that explores the woven memories between generations of South Sea Islanders in the Australian colony.
For artist Joel Sherwood Spring, working in video offers an entrée, with accessible technologies and immediacy, to his ongoing fields of enquiry about identity and capital, on display at his show Diggermode 2: Cloud Ceding at the Institute of Modern Art in Brisbane.
Tender Comrade, currently on show at Sydney’s White Rabbit Gallery, creates a new vocabulary of queer kinship by reimagining the relationship between artworks, bodies and space.
Georgie Mattingley’s exhibition Project Pine Gap explores the intelligence site Pine Gap, co-owned by the Australian Federal Government and the United States, questioning art’s capabilities and function within such institutions.
A presentation of works by Robert Mapplethorpe curated by the British editor Edward Enninful, Enninful x Mapplethorpe, at the 2025 Ballarat International Foto Biennale, finds resonance in opposites while turning binary thinking on its head.
By reducing barriers to entry, a Western Australian art prize fosters a freer approach to artmaking—and invites more experimental practices to take centre stage.
