It’s in the Bag—Quite Literally
Despite the barriers to international travel, New York artist Robin Frohardt is bringing her ecological art installation—centred on plastic bags—to Adelaide.
Despite the barriers to international travel, New York artist Robin Frohardt is bringing her ecological art installation—centred on plastic bags—to Adelaide.
PHOTO 2021, which runs across multiple venues in Melbourne, tackles truth in the post-truth era.
Children can radically alter how artists approach their work—and some even find themselves collaborating with their kids.
Kangaroo teeth, river reeds, streetwear and sculpture: the rich world of contemporary Indigenous fashion.
LGBTQI+ people flash their tats and tell their tales in SKIN DEEP at the National Art School Cell Block Theatre.
In the group show Void, curator Emily McDaniel from the Kalari Clan of the Wiradjuri nation in central New South Wales invoked the void as a space occupied by Indigenous knowledge, stories and meaning.
Known for creating fantastically detailed masks, puppets and costumes, sculptor Garry Greenwood also crafted fully-functional musical instruments out of leather.
In NO SHOW, artist-led initiatives bring more than 50 creatives to Carriageworks.
MIRKA, a new show at the Jewish Museum of Australia, allows audiences to hear Mirka Mora’s voice and see the artist’s work through the lens of her rich Jewish cultural heritage.
Carla Adams, who is showing alongside the late painter Albert Tucker at AGWA, uses pencils, paint, textiles and lots of pink to take on the messy business of online dating.
Whether filming her parents, making casts of precious family objects, or screen printing her mother’s hummus recipe onto a stack of Bunnings rugs, Lara Chamas’s work resonates with humour, warmth and tenderness.
Positioned on the edge of Sydney Harbour/Warrane, Ancient Feelings, a sculpture by British artist Thomas J Price, launches the Neil Balnaves Tallawoladah Lawn Commission, a three-year series of public artworks presented by the Museum of Contemporary Art Australia.
Georgie Mattingley’s exhibition Project Pine Gap explores the intelligence site Pine Gap, co-owned by the Australian Federal Government and the United States, questioning art’s capabilities and function within such institutions.
Telstra National Aboriginal and Torres Strait Islander Art Awards 2025 finalist Jennifer Kemarre Martiniello has spent decades crafting an art practice that weaves together memory, heritage and form.
A presentation of works by Robert Mapplethorpe curated by the British editor Edward Enninful, Enninful x Mapplethorpe, at the 2025 Ballarat International Foto Biennale, finds resonance in opposites while turning binary thinking on its head.
In celebration of Artbank’s 45-year anniversary, two major exhibitions and a publication are on display. View, in pictures, Artbank’s Sydney exhibition, Art Text/Text Art.
Desert Mob is a critical platform for the cultural and creative authority of desert artists—with artists driving new ways of making, collaborating, and innovating on their own terms, ensuring cultural knowledge is not just maintained but continually expanded through practice.
