RISING, a new festival, launches polyphonic voices across the Melbourne CBD
From the painted miniatures of old to the photo on an iPhone lock screen, the bond between love and portraiture is a tale as old as time.
In From Australia: An Accumulation both artists and the general public use printmaking to respond to German curator René Block’s 1988 time capsule of Australian art. The exhibition, which starts at Latrobe Regional Gallery, will evolve as it tours during the next two years.
As a young man, George Gittoes followed the advice of Mother Teresa and dedicated himself to making inclusive art. Now 72, On Being There, at Casula Powerhouse Arts Centre, records his life’s work, in and out of warzones.
Time has revealed itself in new ways during the pandemic. In Time Feeling Slippy, artist David Booth, also known as Ghostpatrol, uses bold colour-block paintings to explore this strange phenomenon.
“Art is this amazing subject,” says Robert Owen. “It comes from different people and it contributes to cultural identity in a way that can question ourselves…”
For over 60 years John Wolseley has been visiting, capturing and sharing his experience of landscapes. But what does it mean to create and innovate over six decades? Wolseley’s work is currently showing in Regenesis – Slow Water – Deep Earth at Roslyn Oxley9 Gallery.
Gareth Sansom talks about ambition, chance and mortality, and what changes over six decades and what remains the same.
Positioned on the edge of Sydney Harbour/Warrane, Ancient Feelings, a sculpture by British artist Thomas J Price, launches the Neil Balnaves Tallawoladah Lawn Commission, a three-year series of public artworks presented by the Museum of Contemporary Art Australia.
Georgie Mattingley’s exhibition Project Pine Gap explores the intelligence site Pine Gap, co-owned by the Australian Federal Government and the United States, questioning art’s capabilities and function within such institutions.
Telstra National Aboriginal and Torres Strait Islander Art Awards 2025 finalist Jennifer Kemarre Martiniello has spent decades crafting an art practice that weaves together memory, heritage and form.
A new exhibition by Melbourne painter Lisa Radford is animated by a deep interest in the way ideas circulate—and the connections between people that unfold over time.
Tasmanian artist Helen Wright’s survey exhibition, Shapeshifting at Queen Victoria and Gallery: Art Gallery at Royal Park, chronicles decades of practice across mediums to reveal new meanings.
Spring1883, Melbourne’s interactive and immersive fair returns, celebrating the collision of contemporary art installed amongst 18th century decor of The Hotel Windsor.
