Feedback Loops
Populated by new worlds that bring alternative mythologies to life, Feedback Loops playfully invites audiences to question preconceived structures within society.
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Populated by new worlds that bring alternative mythologies to life, Feedback Loops playfully invites audiences to question preconceived structures within society.
“In some ways I don’t think of my life and art as separate things, I think it’s one in the same thing,” says artist Louise Weaver when speaking of her creative pursuits.
Seeking out inhospitable environments, Eloise Kirk is drawn to the unpredictable.
“Art is more enjoyable if you look at it hard and long, than if you look at it idly and in passing.”
With a practice spanning three decades, Louise Weaver is well-known for her meticulously crochet-encased animal forms.
Given the growing spectre of man-made global warming, artist Amrita Hepi says it is important to consider First Nations knowledge of land and sea.
Artists work with scientists to explore the environment of Manly Dam.
In her solo show Losing Home, Finding Home, Mika Nakamura-Mather examines both the fragmentary nature of memory and the quest for belonging.
At the heart of the group exhibition FEM-aFFINITY is intersectional, inclusive feminism.
Fostering a relationship between art, architecture and design is the long-term goal of the Lyon Housemuseum Galleries.
In Tama Sharman’s practice, the world is animated and dark sepia spirits roam as he creates works that involve personal stories, both factual and fictional.
I’ve always approached Primavera, the MCA’s annual showcase for artists aged 35 years or younger, less like a novel and more like a box of chocolates. In other words, rather that looking for a clear narrative I enjoy dipping into a mixed bag of treats.
In their debut solo exhibition Extinguishing Hope, now showing at UTS Gallery, Akil Ahamat uses darkness—both literal and metaphorical—to examine what can be gained when everything is lost.
Existing in the space between ritual, performance and ceremony, the body-centred work of Latai Taumoepeau rewrites the stories that shape our perception of Oceania—while using ancient traditions to tackle our most urgent modern concerns. Taumoepeau is now participating in Re-Stor(y)ing Oceania at Artspace.
Congratulations to Aisha Sherman-Noth, who has won the 2025 Glover Prize for Weeping birches on the avenue. The Tasmanian-based artist wins $80,000 for the painting, which depicts weeping birch and poplar trees along the Brooker Highway into Hobart.
In his latest exhibition, now showing at Bett Gallery, Postmodern painter and writer Imants Tillers is influenced by a variety of sources including the metaphysical style of Italian artist Georgio de Chirico.
French-born/Belgium-based Laure Prouvost animates her first major Australian survey with her hallmark absurdism. ‘Oui Move In You’ is a touring exhibition, and is now showing at the Perth Institute of Contemporary Art.
A touring exhibition based on a publication of the same title, Bulaan Buruugaa Ngali celebrates Bundjalung artists revitalising the practice of basket weaving, as well as the Bundjalung language—two forms of knowledge that are deeply connected. The exhibition is now showing at Tweed Regional Gallery & Margaret Olley Art Centre.
