Yhonnie Scarce has been awarded the second Yalingwa Fellowship, an initiative designed to foster career development opportunities for Aboriginal and Torres Strait Islander visual artists living and working in Victoria.
Even Agatha Gothe-Snape struggles to define her art.
As an abstract painter with an enduring interest in modernism, John Nixon has always enjoyed exploring and absorbing material from allied fields.
“Without science we would not understand the body, without the body fashion would not become alive and without art, how can we express the bodies we have?”
Creating a kaleidoscopic vision of Australia, John Prince Siddon’s works dance on the edges.
Corbett’s art making began 20 years ago on the grounds of his former car-wrecking business.
After years of imbalance, the time has finally come for the arts sector to achieve greater gender equality. But will it be more than a hashtag?
Melbourne photographer Atong Atem is known for bright, highly patterned tableaux, shot like traditional studio portraits. In her latest series, Portals, she strips away the colour and presents a more intimate view of her subjects.
Debra Porch’s posthumous exhibition reminded me of a piece of graffiti I saw on the back of a toilet stall door a few years ago.
When Adelaide-based artist Sue Kneebone visited Mauritius it was not for the blue sky and beaches, it was for family.
Joseph Banks is painted in the late afternoon under moody dark clouds in a landscape better suited to board shorts and thongs.
Populated by new worlds that bring alternative mythologies to life, Feedback Loops playfully invites audiences to question preconceived structures within society.
The growing cultural interest in art books reflects the enduring power of the printed word. Jane O’Sullivan takes a closer look.
Radical Textiles, A new exhibition at the Art Gallery of South Australia, shows us how textiles evoke material memories while keeping the radical lineage of needle and thread alive.
In a new collaborative exhibition at PS Art Space, in partnership with Cool Change Contemporary, five artists with process-lead practices contemplate material ethics through actively engaging in slowness and reuse.
The National Gallery of Victoria has announced the next instalment of the Winter Masterpieces series, coming in June 2025, will be a return to French Impressionism—an exhibition from 2021 that closed as soon as it opened due to the global pandemic.
A Delicate Terrain, a new exhibition of works drawn from the Tweed Regional Gallery collection, looks at our relationship with the environment through the lens of contemporary art.
Melbourne-born figurative artist and ceramicist Rob McHaffie takes a global view of human idiosyncrasy. His biggest exhibition to date, now showing at Bendigo Art Gallery, covers over a decade of his painting practice.
