Smartphone Snaps: Vicky Browne
In her Smartphone Snaps photo essay, Blue Mountains-based artist Vicky Browne makes the most of her home studio and furry menagerie, while missing exhibiting.
In her Smartphone Snaps photo essay, Blue Mountains-based artist Vicky Browne makes the most of her home studio and furry menagerie, while missing exhibiting.
The confident, broad brushstrokes of Belem Lett’s new paintings seem to literally zoom around the picture plane, conveying a sense of speed and momentum as they slide across the works’ sleek aluminium surfaces.
A pioneer in feminist and community driven art, Vivienne Binns talks about 60 years of interrogating what art truly is, and how art is a human activity.
Combining ancient technologies with digital platforms, craft festivals stitch and solder new connections across oceans and online.
Whether placing an artwork in his stomach, actualising a body with a third hand, giving his agency over to performance viewers, and rather famously growing an extra ear on his arm, Stelarc has gone to true extremes.
What if we had arts news like we have sports news? A new online, artist-led petition is asking for just this, and it’s already gathered thousands of signatures from high-profile artists.
In his Smartphone Snaps photo feature, Melbourne-based artist Richard Lewer keeps busy both painting and walking.
Kunmanara Carroll has been honoured as the first Indigenous artist in JamFactory’s ICON series. Sadly, his exhibition Ngaylu Nyanganyi Ngura Winki had only been open for a short time when he passed away. He is now referred to as Kunmanara Carroll out of respect.
In his Smartphone Snaps photo feature, photographer William Broadhurst focuses on how his camera keeps him connected to his suburban neighbourhood.
With multiple Australian cities now in lockdown, and density limits still at play in other cities, we’ve curated a refined shortlist of online virtual galleries, videos and podcasts you can view, watch and listen to from the comfort of home.
With myriad references to museum curios, colonial landowners, and lashings of highlighter yellow, Joan Ross’s aesthetic is instantly recognisable. The Sydney-based artist, whose exhibition ‘Land of the Broken Hearted’ is currently on display at Bett Gallery Hobart, shares the stories behind five of her recent works.
In Hapyhazard, online at Flinders Lane Gallery, Michael Gromm performs a lyrical dance between figuration and abstraction.
Positioned on the edge of Sydney Harbour/Warrane, Ancient Feelings, a sculpture by British artist Thomas J Price, launches the Neil Balnaves Tallawoladah Lawn Commission, a three-year series of public artworks presented by the Museum of Contemporary Art Australia.
Georgie Mattingley’s exhibition Project Pine Gap explores the intelligence site Pine Gap, co-owned by the Australian Federal Government and the United States, questioning art’s capabilities and function within such institutions.
Telstra National Aboriginal and Torres Strait Islander Art Awards 2025 finalist Jennifer Kemarre Martiniello has spent decades crafting an art practice that weaves together memory, heritage and form.
Farrago, the University of Melbourne’s student union newspaper-turned-magazine celebrates a hundred years of publication. At a time when print publishing in the arts is under increasing pressure, The George Paton Gallery is exhibiting ‘Farrago 100 Years’, celebrating the editorial legacy and design innovation of the periodical.
Alchemist and artist, Natasha Walsh’s new solo show, The Window, embarks on a “new beginning” at N.Smith Gallery in Sydney.
Curators Martyn Jolly and Tony Oates’ Light Source, brings together ten artists whose work incorporates combinations of light projection and performance at Drill Hall Gallery in Canberra.
