Susanne Kerr’s human traces
At first glance, Susanne Kerr’s large gouache paintings of delicate floral arrangements convey lightness and whimsy—but something else is going on under the surface.
At first glance, Susanne Kerr’s large gouache paintings of delicate floral arrangements convey lightness and whimsy—but something else is going on under the surface.
Despite being in ongoing lockdown in Melbourne, Hannah Gartside is still creating, giving attention to the tactility, movement and histories of textiles.
Troy-Anthony Baylis uses glomesh and pop music to weave together queerness and Indigeneity.
How have Australia’s commercial galleries been faring through the last two years, and how are they feeling about the future? Mostly, it’s looking quite optimistic.
“It transcends time and cultures,” says Geelong Gallery senior curator Lisa Sullivan of the well-known, perhaps even iconic, Frederick McCubbin painting A bush burial, 1890.
Building a personal brand can feel non-negotiable for artists—but is it worth the cost?
The Argentinian-Australian artist’s solo exhibition at Moore Contemporary is grounded in extensive ancestral research.
In this interview, William Robinson, 85-year-old painter of twisted otherworldly landscapes, reveals how he learned to translate both loss and time in his work.
The art of Patrick Hall is like a repository of memory that weaves together poetic narratives of world history and personal experience, in particular the history of World War II. His work is now showing at Despard Gallery.
With exhibitions postponed, ceramicist Ruth Ju-Shih Li’s great love of food has filled the space left by clay. Here she tells us the secrets and history of her Mapo Tofu recipe.
Whether snapping her iconic rock’n’roll portraits or intimate family moments, Linda McCartney was a trailblazer.
Break the 24-hour bad news cycle by watching, visiting and playing with art online.
In its 34th year, Primavera—the Museum of Contemporary Art Australia’s annual survey of Australian artists 35 and under—might be about to age out of itself, but with age it seems, comes wisdom and perspective.
Harnessing multiple disciplines across silk, paper and sound, Rainbow Chan’s solo show, Notations: Red Scale, connects with the women before her, re-animating existing histories in new light.
Positioned on the edge of Sydney Harbour/Warrane, Ancient Feelings, a sculpture by British artist Thomas J Price, launches the Neil Balnaves Tallawoladah Lawn Commission, a three-year series of public artworks presented by the Museum of Contemporary Art Australia.
The paintings of Betty Kuntiwa Pumani form a part of a larger, living archive on Antaṟa, her mother’s Country. More than maps, they speak to ancestral songlines, place and ceremony.
In its 18th year, the National Photographic Portrait Prize celebrates photographic portraiture from emerging and established artists, highlighting what it means to be Australian, through photographs of its people.
For contemporary jeweller Kyoko Hashimoto, an exhibition at the Art Gallery of South Australia marks a shift in her approach to materials and method, with a renewed focus on sustainability.
