Julia Gutman has won the 2023 Archibald Prize for her portrait of singer Montaigne—making Gutman one of the youngest winners in the award’s history, and the 11th woman to win. The Wynne and Sulman winners have also been revealed.
With recent cultural reckonings, it’s clear audiences want to see strong women on screen. That is exactly what ACMI’s new exhibition Goddess is delivering, celebrating the defiant disruptors and headstrong heroines of film.
After visiting archaeological museums in Syracuse, Adrienne Doig began creating doll-like, textile figures of herself reimagined as a goddess—which are now showing at Martin Browne Contemporary.
Hobart-based photographic artist Valerie Sparks creates visually immersive installations inspired by 19th century French scenic wallpaper and the work of female botanical artists, which are now showing at Bett Gallery.
Irish language and contemporary gaming aren’t seemingly compatible subjects—but they find a meeting point in Clare Milledge’s symbolic paintings at STATION Gallery Sydney.
Ahead of the announcement of the 2023 Archibald winner next week, artist Andrea Huelin has won this year’s Packing Room Prize for her portrait of comedian Cal Wilson—and the Archibald, Wynne and Sulman Prizes finalists have been revealed.
Five First Nations artists, ranging the Gurreng Gurreng, Gunggarri, Iningai, Kamilaroi, and Kombumerri lands, honour the past, celebrate the present, and secure the future in East Coast Matters, showing at Kate Owen Gallery.
A new documentary from Larissa Behrendt, You Can Go Now, highlights the life, work and activism of Richard Bell: a self-described “activist masquerading as an artist”.
These seven new (and re-opened) galleries represent compelling beginnings in Australian arts. Across city and regional areas, including Melbourne, Sydney, Bega, Maryborough and Barossa Valley, we’ve curated these recent and upcoming gallery openings to explore.
During his lifetime, Andy Warhol took more than 40,000 Polaroids. These are now showing across Australia, alongside images of Warhol himself, in all their glamour, intimacy, desire and loneliness.
For six months, Catherine Bell and Cathy Staughton undertook a residency with ‘Spot’, a famous robot used everywhere from the policing to construction. Through Dog Robot Space Star at Gertrude Glasshouse, the pair consider the ethical implications of Spot, and what it means to care for robot companions, and each other.
“For the Balinese, the seen and the unseen are inseparable, a belief strongly intertwined in their way of life.” A new exhibition at Footscray Community Arts asks five contemporary Balinese artists to bring a modern perspective to traditional practices—see the exquisite results in pictures.
The growing cultural interest in art books reflects the enduring power of the printed word. Jane O’Sullivan takes a closer look.
Radical Textiles, A new exhibition at the Art Gallery of South Australia, shows us how textiles evoke material memories while keeping the radical lineage of needle and thread alive.
In a new collaborative exhibition at PS Art Space, in partnership with Cool Change Contemporary, five artists with process-lead practices contemplate material ethics through actively engaging in slowness and reuse.
Natalya Hughes has a conflicted fascination with modernist men like Freud, Kirchner and de Kooning. Jane O’Sullivan takes a look at The Interior, the Institute of Modern Art monograph on her recent practice, and discovers difficult and provocative questions about not just the representation of women in art and culture, but also the careers of women artists in Australia.
Heide Museum of Modern Art’s summer blockbuster exhibition is unveiling the breadth and beauty of Italian modernism through design. With over 170 objects spanning sixty years, Molto Bello explores the cultural impact of this period of creativity and invention.
Anador Walsh reviews Ivan Cheng’s performance exhibition NP at Monash University Museum of Art—a three-day project, made in collaboration with a group of Year 11 students, that explores the loss of childhood innocence and role of documentation in performance.
