Feature
Queer abstraction in …(illegible)…
First-time curator Andrew Atchison focuses an inquiry into queer abstraction, challenging how we comprehend and view queer art.
Barnaby Smith
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Feature
Virtual Reality: Undoing the Colonial Gaze, and Endless Peripheral Vision
Steve Dow looks at a number of artists who see VR as loaded with both hope and fear.
Steve Dow
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Preview
Emily Floyd makes theory playful in Anti-Totalitarian Vectors
Floyd translates politics and philosophy through a cast of anthropomorphic sculptures.
Zara Sigglekow
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Charlotte Bakker sees synchronicity between music and sculpture
The influence of music, particularly classical, jazz and instrumental music, flows through Bakker’s solo show Resonant Forms.
Tracey Clement
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Feature
Online portal preserves Ngaanyatjarra culture
Sydney University has launched a portal about the remote Ngaanyatjarra world, created in consultation with the community, its contents approved by elders.
Steve Dow
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21st-century women take on tradition in Kinder, Küche, Kirche
JamFactory curator Caitlin Eyre explores the Barossa region’s long-standing connection to Germany in Kinder, Küche, Kirche: Revisiting the Traditions of Barossan Women’s Folk Crafts.
Briony Downes
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Turning mathematical codes into textiles
Al Munro’s latest exhibition experiments with translating the content of paintings back into textiles.
Andrew Stephens
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The Housing Question
The Housing Question—an expansive show by artists Helen Grace, Narelle Jubelin and Sherre DeLys—examines the multiple public and private dimensions of housing.
Rebecca Shanahan
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Seeing Country
A group exhibition that seeks to highlight Indigenous knowledge and insights into natural ecologies.
Tracey Clement
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Feature
The Botanical: Beauty and Peril
Unearthing relationships between the depictions of Western Australian flora and the state’s Indigenous, colonial and future legacy.
Briony Downes
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Getting to know Bugai
One of the many interesting things about Bugai’s oeuvre is her stylistic diversity. Tight controlled dot-work sits comfortably alongside – and sometimes underneath – loose brushwork.
Nadiah Abdulrahim
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Review
Chris Bond: Glimmer
For those familiar with Bond’s work, themes of eye-watering illusion and the craft of trompe l’oeil are all but unfamiliar.
John Buckley
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