Michelle Nikou
The Heide Museum of Modern Art poaches the well-known Adelaide artist for her first major Victorian exhibition
The Heide Museum of Modern Art poaches the well-known Adelaide artist for her first major Victorian exhibition
In March last year Tom Nicholson, Caroline Rothwell and Brook Andrew were taken around all the museums in Cambridge.
Cassandra Chilton shares the recipe behind the art collective’s success.
“They weren’t just painters, they were philosophers; they didn’t just do performances, they were political agitators; they didn’t just shoot wedding videos on the weekend, they were videographers; and so on.”
Positioned on the edge of Sydney Harbour/Warrane, Ancient Feelings, a sculpture by British artist Thomas J Price, launches the Neil Balnaves Tallawoladah Lawn Commission, a three-year series of public artworks presented by the Museum of Contemporary Art Australia.
Georgie Mattingley’s exhibition Project Pine Gap explores the intelligence site Pine Gap, co-owned by the Australian Federal Government and the United States, questioning art’s capabilities and function within such institutions.
Telstra National Aboriginal and Torres Strait Islander Art Awards 2025 finalist Jennifer Kemarre Martiniello has spent decades crafting an art practice that weaves together memory, heritage and form.
This year’s edition of Sydney Contemporary marks the launch of Photo Sydney, a presentation that brings together the country’s most acclaimed photographers and gives the medium —and its relevance to our cultural moment—the attention it deserves.
to come together as water is the most recent iteration of Blue Assembly—the University of Queensland Art Museum’s multi-year project exploring our relationship to the ocean. Curated by Freja Carmichael, it calls for First Nations sovereignty over waterways.
For contemporary jeweller Kyoko Hashimoto, an exhibition at the Art Gallery of South Australia marks a shift in her approach to materials and method, with a renewed focus on sustainability.
