Julia Davis experiments with time
Dark Matter is a solo show by artist Julia Davis which explores the effects of time in relation to the body and the material world.
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Dark Matter is a solo show by artist Julia Davis which explores the effects of time in relation to the body and the material world.
It’s Our Thing is inspired by some of Australia’s founding hip-hop crews and artists who worked in and around Blacktown in the 1990s.
The 2018 Biennale of Sydney will be led by its first artistic director from Asia, Mami Kataoka.
Monash Gallery of Art presents the largest survey of Chinese photography ever held in Australia.
From Goethean science, mapping energy fields, to analysing the success of a beetroot crop, Smuts- Kennedy is rigorous in her inquiries.
Local and Korean artists pick through environmental degradation, disaster and detritus in New Romance: Art and the Posthuman.
Ben Quilty is both an artist and an activist. And he’s done apologising for it.
Anthes and Gallo ask the public to donate materials, any materials, be it a bottle cap that they found on the street, a cup of coffee or a once-cherished, now disused, record player.
Ballen came to Sydney to create a site specific work for his latest survey show, Roger Ballen’s Theatre of the Mind. Tracey Clement met with him and asked him about his life and work.
Curated by Helen Hughes and Spiros Panigirakis with the full support of the station itself, the exhibition blurred the lines between museum-style exhibits and newly created artworks.
Varga’s photograph, Marking Time, was made without the aid of a camera.
“I would have been in mortal misery all my life for fear my wife might say, ‘That’s a pretty little thing,’ after I had finished a picture.”
The paintings of Betty Kuntiwa Pumani form a part of a larger, living archive on Antaṟa, her mother’s Country. More than maps, they speak to ancestral songlines, place and ceremony.
A presentation of works by Robert Mapplethorpe curated by the British editor Edward Enninful, Enninful x Mapplethorpe, at the 2025 Ballarat International Foto Biennale, finds resonance in opposites while turning binary thinking on its head.
Auckland-born and raised artist Lisa Reihana is ever the optimist, creating two new works signifying social cohesion to hang outside two Australian arts venues—Ngununggula, and Sydney Contemporary at Carriageworks —just as dark divisions seek to undermine the value of migration and Indigenous sovereignty.
A new exhibition by Melbourne painter Lisa Radford is animated by a deep interest in the way ideas circulate—and the connections between people that unfold over time.
New South Wales-based artist Sophie Cape, has won the Hadley’s Art Prize for 2025. The winning piece, alongside the 28 finalists, will be on display at Hadley’s Orient Hotel, Hobart until 21 September.
Embodied, the first iteration of Arts Project Australia’s new exhibition series, Limitless, sees artists Bronwyn Hack and Mark Smith create their most ambitious works yet, with the body at the centre of it all.
