Sue Kneebone
The Art Gallery of South Australia acquired Sue Kneebone’s works Neat Drop and Angel Inn…
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The Art Gallery of South Australia acquired Sue Kneebone’s works Neat Drop and Angel Inn…
Eight contemporary artists turn their attention to the joys and challenges of motherhood in Stockroom’s group show MUM.
Op Art challenges its audience and makes them question what they are seeing.
Justene Williams is having her first solo show in South Australia…
Sydney-born artist and filmmaker George Gittoes makes art wherever there is conflict, including: Rwanda, Bosnia, Somalia, Iraq and Afghanistan…
The first major show of Sherman’s work in Australia since 2000.
Hossein Valamanesh is best known for his installation and sculptural work, but last year he presented his first large-scale video piece, Char Soo, in collaboration with his filmmaker son Nassiem Valamanesh.
For years I have been inspired by the stories and images of the Torres Strait islands above Cape York.
One afternoon, during an event at the Sydney College of the Arts, Alex Gawronski looked up from an elaborate cheese platter and turned to Justene Williams, his fellow teacher. “If I ever gave up art,” he said, intoxicated by the pungent stink, “I would make cheese in a cave.”
Photo and video artist Lisa Reihana describes herself as “native two-times over”…
The Australian Centre for the Contemporary Art is mounting the first Australasian survey of von Brandenburg’s work in a gallery-wide exhibition.
Ceramic artist Stephen Bird is known for work with a wicked sense of humour.
The paintings of Betty Kuntiwa Pumani form a part of a larger, living archive on Antaṟa, her mother’s Country. More than maps, they speak to ancestral songlines, place and ceremony.
A presentation of works by Robert Mapplethorpe curated by the British editor Edward Enninful, Enninful x Mapplethorpe, at the 2025 Ballarat International Foto Biennale, finds resonance in opposites while turning binary thinking on its head.
Auckland-born and raised artist Lisa Reihana is ever the optimist, creating two new works signifying social cohesion to hang outside two Australian arts venues—Ngununggula, and Sydney Contemporary at Carriageworks —just as dark divisions seek to undermine the value of migration and Indigenous sovereignty.
Desert Mob is a critical platform for the cultural and creative authority of desert artists—with artists driving new ways of making, collaborating, and innovating on their own terms, ensuring cultural knowledge is not just maintained but continually expanded through practice.
Spring1883, Melbourne’s interactive and immersive fair returns, celebrating the collision of contemporary art installed amongst 18th century decor of The Hotel Windsor.
In the last 25 years, there have been few themes as omnipresent as the environment, especially when we look at Australian art. Join us as we revisit pieces from our archive that track artists’ ongoing fascination with the natural world and its changing landscape.
