Volcanic Bloom: Ari Athans
Ari Athans began her professional life as a working geologist and these concerns permeate her paintings.
Ari Athans began her professional life as a working geologist and these concerns permeate her paintings.
Rather than focusing on the object of the photograph, Jafri takes on the subjectivity of a topic that, historically, has been deemed rather concrete: the days of national independence from colonial powers around the world.
Contemporary Italian artist Francesco Clemente transforms Carriageworks into an opulent village.
Western Australian artist Miriam Stannage has spent a lifetime interrogating the world through her camera.
For the first major survey of contemporary Australian painting in a decade, the Australian Centre for Contemporary Art took an unexpected curatorial cue.
Refugees at Casula Powerhouse sheds light on to one of the most highly publicised areas of Australian politics: the ongoing refugee crisis.
Dug and Digging With is the result of a 12-month collaboration between emerging curators Katie Barber and Stan Mahoney and seven visual artists, writers and theorists whose practices are process-based and research-driven.
Melbourne-based Richard Lewer has taken out the fifth and final Basil Sellers Art Prize.
Unafraid to fall, fail or question, Elizabeth Newman finds a rougher, unflinchingly honest edge to her paintings.
Maria Kontis uses drawing to change the past, to tell her own stories.
Cairns-based artist Daniel O’Shane has won the National Works on Paper Prize with his piece Aib Ene Zogo ni Pat (Story of Aib and the sacred waterhole).
This year the Centre for Contemporary Photography turns 30. Over the decades, gallery directors have had to constantly reassess their strategies to keep up with shifting attitudes towards the medium of photography.
Positioned on the edge of Sydney Harbour/Warrane, Ancient Feelings, a sculpture by British artist Thomas J Price, launches the Neil Balnaves Tallawoladah Lawn Commission, a three-year series of public artworks presented by the Museum of Contemporary Art Australia.
Georgie Mattingley’s exhibition Project Pine Gap explores the intelligence site Pine Gap, co-owned by the Australian Federal Government and the United States, questioning art’s capabilities and function within such institutions.
Telstra National Aboriginal and Torres Strait Islander Art Awards 2025 finalist Jennifer Kemarre Martiniello has spent decades crafting an art practice that weaves together memory, heritage and form.
Drawn from the Cruthers Collection of Women’s Art at the University of Western Australia (UWA), Lawrence Wilson Art Gallery’s show Place Makers, reframes the artists—who just happen to be female.
Curators Martyn Jolly and Tony Oates’ Light Source, brings together ten artists whose work incorporates combinations of light projection and performance at Drill Hall Gallery in Canberra.
Rigg Design Prize has announced its winner for 2025, in a celebration of early and established designers, the innovative works are on display at The Ian Potter Centre.
