Photographs dominate the 2016 Sunshine Coast Art Prize
Sunshine Coast photographer Michael Cook has won the $25,000 Sunshine Coast Art Prize with his work, Mother – Tennis.
Sunshine Coast photographer Michael Cook has won the $25,000 Sunshine Coast Art Prize with his work, Mother – Tennis.
A difficult education has not deterred Tony Albert from a pluralistic approach to making art – at once forgiving and subversive.
Gravity (and Wonder) is a collaborative project between Penrith Regional Gallery & The Lewers Bequest and The Museum of Applied Arts and Sciences (MAAS, formerly Powerhouse Museum).
The 2016 TarraWarra Biennial, Endless Circulation, folds time and material in all directions.
In Fragments of Language, an exhibition of over 30 new, small-scale sculptures, Koning’s studio will be transposed into the Engine Room space at Turner Galleries.
Having taken a quiet back seat for more than a few years, ceramic art is experiencing a welcome resurgence.
Congratulations to Swiss jeweller David Bielander for winning the 2016 Mari Funaki Award for Contemporary Jewellery.
Yorta Yorta artists Jack Anselmi and Cynthia Hardie have won the 2016 Indigenous Ceramic Art Award with their installation, Midden.
Opportunity beckons at the Murray Art Museum Albury for local Jo Davenport’s expressive, layered and shifting paintings.
The annual John Fries Award for emerging artists has been won by Eric Demetriou.
In a world of porous borders, artist Ivan Sikic traverses contexts and countries drawing the global gaze to social justice issues.
Nicholas Mangan’s practice mines themes of extended time, the geological periods that we try to define but can’t quite grasp, and the impacts of capitalism on the environment.
Positioned on the edge of Sydney Harbour/Warrane, Ancient Feelings, a sculpture by British artist Thomas J Price, launches the Neil Balnaves Tallawoladah Lawn Commission, a three-year series of public artworks presented by the Museum of Contemporary Art Australia.
Georgie Mattingley’s exhibition Project Pine Gap explores the intelligence site Pine Gap, co-owned by the Australian Federal Government and the United States, questioning art’s capabilities and function within such institutions.
Telstra National Aboriginal and Torres Strait Islander Art Awards 2025 finalist Jennifer Kemarre Martiniello has spent decades crafting an art practice that weaves together memory, heritage and form.
Drawn from the Cruthers Collection of Women’s Art at the University of Western Australia (UWA), Lawrence Wilson Art Gallery’s show Place Makers, reframes the artists—who just happen to be female.
Campbelltown Arts Centre’s in every room presents rich socio-political histories and personal storytelling, with works by Lara Chamas, Jagath Dheerasekara, Kuba Dorabialski, Roberta Joy Rich, Sancintya Mohini Simpson and Curtis Taylor.
Marking the Newcastle Art Galleries reopening with a large-scale commission for the windows on Derby Street, Maggie Hensel-Brown’s new commission is on display from 26 September.
